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issue 165 - market forces issue 136 -49 Music Ann
ie – Pop Princess Interview Eamonn Dunphy on Dublin Luas Win, Luas or Draw? I THOUGHT YOU DIED YEARS AGO Some of us less cherished children who grew up in twochannel land in the ‘80s may recollect the entrancing power of spectacles such as MTUSA, Wanderly Wagon, Forty Coats and Pat’s Chat. Simpler times bbz, simpler times – pull up a pew, you’re trapped in this snug. Some of us who lived in the city in the ‘90s and naughties issue 137 - the prettiest star Festival Frenzy Hidden Dublin The Untold Stories Bars issue 153 pop v LETTING GO Arty, an exper a keen collaborator and an icon of 200 - JULY 2030 52 The evolution of a city also involves the evolution of its markets though this is something Dublin has struggled with over the years. Leaving aside the on-going scandalous dereliction of the Iveagh Market which the Council is trying to take possession of, there are other developments taking shape. Our lead feature talks to the various parties affected by the proposed €3m development of the Smithfield Fr om a its earin ble mark’t more t - Balbrigganit issue 146 - worlds away - camo eyes THERE IS A LIGHT… NIGHT MOVES d o of creativ y CLOSE UPit . An di TEACHT ABHAILE that remooell as being a sounder on hand to keep the space anrdoking o ar ve, t e pu A pd then a desig er s, he often crn weteps in. And what you hohomas Str ounded bdi igs ra w hotelsly aow iwn Pariliament Streete and stalwer. Wvd im hing his pr ident. A now. Back in the day when I worked out of South Studios with Le Coolting Talib K li. Her presvence a, it is in a limbo s moment surr a ble of w d e legacr Cs a fal b in Nymilagember sun , winding their way from their lock-up in Block T, down , hotels being de elopedv hger II fir’s a jumst s w Soulé in the Suga h u or quite some timeeg marollo ed the sonic trolly I’ve known photogra is an architectural delight and a reminder of what was anded, t lh t m es is tra My favourite moment from this issue, and my biggest recommendation, is the climax of Tim MacGabhann’s last missive from Mexico where the sense of a connection between foreign folk traditions and Irish ones is brought on by something more powerful than just déjà vu. It’s derived instead from a deeper resonance about what it is that “home” could or should feel like, and it’s a wonderful piece of writing, that is illustrated excellently by Cecilia Rangel’s photography. Elsewhere we take an excursion to northern bI was also fortunate to see ou w ea t b lt ap useum andn. dollies that are Acid Granny as they tr aw city man an vette as w s strong and reassuring. RIP. we scen with a f i a thrill as he has morphed into an in-demand photographer onth, I c ugansfht her aga o a p hasaet an - Ian Lamontsnet whic h has becomet assue mar F by the sight and sound. The city felt alive a ain. Even a minor engagges fraom the project w h is saet to s avte minhtes old wh interim, its dilapidation actually fits perfectly for something t e 100t roc. Tho ’p ak u es wf series. Her fn ws taken time and a pandemic to bring h t k in Mar er we struc intervention such as this felt like w club space and the longKantind bh h n a b ce and win over nsiderable them to the right place at the right time. But they are here. co edeues to boun na uece be struc expaets an lding w t images in their prl a return to normality wNight Moves is our little re-ima does. Th uc were a so og lose and large scale. He doesn’t w and newfound purpose and destiny. Acid Gr s game at int e rude hl trteat. S u evherraders, cae e T e t oref ent on ths going to be difficult to retur lusi ely sho w oment.sl with thanks to supports fr m l Don DeLillo observed, “Wihat he called “three lines on Instas ot telief, bf oh cootenh ereing t o a vo lemely pr t y languble to ev yhemved? fauilding, albeit for one night only, is frankly an epic thrillm n mondroe Co sen okers and talents an expec e paThe night will be a mash-up of w t we might term as orgu f t ts m Thio h h a Across th As muc e r ver e In other neyws, we’d like to welcome sister publication The, fi hfl ent perspectivesur music cards on names wurages and persuade yga ow of hoort e month. wher aordinar .” ur w difo also maetting out and about talking to artist Niall ever tch d lub culture doesn’t remain a boxed off bogeyman as it is often perceived by those who have never experiencede to it. This is a chance to dip in from nine to ninetyant to see y – Peter Steen-Christensenou’re up to and toast the light at the Syria, at least vicariously, through the experiences of Calvin Sweeney who we spoke with while he was back in Ireland between stints volunteering with Kurdish Red Cross in Rojava, as well as visiting whatever planet Meltybrains? come from. Those are some serious air miles we’re racking up. Go easy. f d thien acnea n And wof. e a so September 23, as we explore a better future for all. – Ian Lamont Nollaig Shona Duit, Michael McDermott – Michael McDermott Michael McDermott – Michael McDermott – Michael McDermott – Michael McDermott 6 6 4 4 6 6 664 4 *from the poem ‘A Birthday’ published in Against the Clock (2018) Michael McDermott Nnw doo’rt forget t e a oo sen rems btiok ld Niid o ller9aut for xtr e it’s at and those pushing it forward – different sounds aer proe’re g rks o. It is also, most importantly, open to t Staines in Hang Tough Contemporel sary on Thursda 24 and bringing a very special edition of Totally Dublin Liv St Patrick’s Festiv to reconnect and a chance to soak up the atmospherics of a discovael M h unique space. cD rue val Granny sometime soon also. the return of the communal live experience than seeing these guys performing on stage. Michael McDermott advertisers and readers who encourage us to do it again and again… ith sincere thanks to all contributors past and present, ese words are yours now. o cayone so cMichael McDermotting the festiva Th nMichael McDermott reconnect, tell us what y We toast the sense of extraordinary this Christmas for we have lived, loved and lost in this landmark year. A heartfelt thanks to our contributors, stockists, advertisers and readers for sticking with us as we try and navigate towards better days. - Michering t e t Michael McDermott stellar job, we’re delighted to welcome Michael McDermott back into our building and to help develop the Totally Dublin brand further. Here’s to the transition and the next 150 issues. Y urb of Balb ig g b on f An Cailín Ciúin ahead of its io a od a wn d with th s ou wed in a lor inv ou to get out to Rathfarnham Castle this missing, a celebration of DJs who have brought the scene to prov e…onater tal and hopefully do them justice on ourestis mainly a sense of rediscovered fr t it’me hhat’s here and what’ release. It truly is one of the most important films of our times – a masterpiece in understatement, underpinned by powerful performances, meticulously crafted direction and one of the most evocative soundscapes I have ever heard in a cinema. “You don’t need to speak Irish to feel it,” said one of the cast. It is both specific and universal. I found Gaeilge emerging from the recesses of my brain floating back every so gently. Hopefully you will encounter A Quiet Girl or an Acid ThWe sincerely hope you can join us on Culture Night, Friday of others for a moment and we are very grateful to them and the participating spaces for their time. In particular, I’d like to thank Colm Bodkin for his assistance in helping us find Davy Little. or many people, it’e “floaunch hi eriousenter egram”.re reser w more imadinaryom DCC and the Deparave been Cultur eland Fis we e Fles Watching the charming documentary Young Plato (see Cinema) which is released later this month, a class of primary school boys in Ardoyne, in Belfast, are asked about the peace walls and their understanding of Catholics and Protestants. An astute young fella, despairing of division and conflict, denounces the stupidity of it all by simply saying, “We all bleed the same colour.” Those words rang true when thinking about the unfolding humanitarian crisis and utter destruction being wreaked upon innocent civilians in Ukraine, by the actions of a ruthless despot wielding unfettered power since the start of this century. It has shrouded what should have been a joyful post-pandemic time of freedom for many with a profound sadness. It is beyond heart-breaking to witness the the senseless brutality of it all and we encourage you to make a donation to a reputable charity and try support a sovereign nation whose democratic rights are being crushed on our continent. Everything else pales this month. But we are still immensely We are dragging ourselves over the line of what has been a truly remarkable year, mostly for all the wrong reasons. 2020 has been an absolute headmelter. It feels apt, then, to have Niall Staines capture this sense of going through the wringer with our cover commission. His glitch style drags normality beyond recognition but still anchors it. Time has blurred and rumpled, we’ve all felt glitched but there’s still hope and the ones we love and those who love us. All going to plan, July 2030 will mark the 300th edition of this magazine. Of course, if everything had gone to plan, we would have been celebrating the 200th edition back in May 2021. We all know what happened there though as we invoke the ‘circumstances beyond our control’ clause, with good reason. Predicting the future gives hope, can be fun, but somewhat foolhardy also. However, if back in January 2013, when we celebrated our 100th issue someone said Totally Dublin would still be around in print nine years later, chances are you would have smiled politely and sidestepped to the bar with your complimentary token. So here we are. It’s not even a survival of fittest thing, it’s just plain survival through sheer tenacity. We’re taking tentative steps back into the thrilling world of Whrles le? Can it run c transgression, impossible to pin down to any one defining moment from a lifetime STREET SMARTS b iov usly, t t than hi eates an immediate sense of the city crs own privaor ts, tho y a ersed the streets of the gi por y to an eerie silence. Built 130 y en f and Tld in y eet, past Christchurch, dots inv ter swager w ticd confiden a I’ve had the idea of visiting some of the remaining laundromats in the city, for a number of years now, but never really got round to it. Partially inspired by a story on This American Life where they documented 24 hours in a Chicago diner called the Golden Apple, the idea was to literally hang out in them and just wait and see who dropped by. Photographer Malcolm McGettigan and I started out on this quest back in April and concluded it in the middle of July. Like everything else, we’d like to have staked places out for else the city sorely needs – a decenthat the beating heart of a fun city needs to be pumping out. It feels somewhat apt as we sm octaations a oai Ul ospect ofy and its here Le in a om We’ave been talking to Culturl os e with, observ e Night for a wfnen a cen o eeter oolepu t mous rorepr utne of f ientions of w OUR BEAUTIFUL LAUNDROMATSah t’s only the stant stuff you re y evgh Soden f w ug ts and imoves. ven wa d friend to many. But eears agophers Sean & Yund w e immd to their resting spot on Grattan Bridg’s Cafe and the Hacienda. It atcges flow, wy eogrhere t e pa ashat could be. In the meantime, people need reminders of s p xistence and hog exphic h n fi sonic jaunt cranking out beats, loops and double takes fruit eople stopped in their tr. Thits i’s fanthat bemused and artist in his own right. I remember him showing me initial ima t of Niadinller9 and Hv ce bks passersby. Pe & Vgazine wa summer nevanagut c ui bac e Ph editio idespu ad aesh blend of r’ur’b pop u ur longer. There are countless fascinating stories to be told which we simply missed. However, the cross-section we encountered represents an intriguing small snapshot of a churning city. There are brief snippets about evictions, the weather, creating a new life here, passing through and simply having a broken washing machine. It was a real pleasure to inhabit these worlds and the lives eel. I hope that it’ h ring Sout d (Sk to her h anticipated o as imbla d with hk betw ew fans. Great bout the pr t. It floe Redd y to look at ho label Lak a Reco licensing la er coneen r aet il and ffice b ed a ears of defle . Ailbhws blecay anitd Le Bo During our conversation, he ref ws. oon shared our celebrate 100 y b o hen ask d deft t lent the citgining moment with Nialler9. s smile o age and be observ hile noied with fresh facese s boutlerd h b ur yes a e We watched the release of For Those I Love’s sensational debut album from the print sidelines. Our publication was suspended in the Spring owing to lockdown. Having first become acquainted with Balfe’s heartfelt and heart-breaking eulogy to his friend and his community through Nialler9’s early endorsement, we observed it through seminal TV performances on Jools Holland and Other Voices as well as through the lyric messaging of outdoor advertising in the city. It felt like the moment may have passed to do something with David Balfe given the scale, and warmth, of exposure he has duly received to date. And if we’re being honest, we’ve never been to a Damien Dempsey concert. It was obvious he is a man who has a serious fanbase, and ‘sold out’ signs often accompany most of the posters we’ve seen. We’d seen the occasional interview and knew the endearing heart and soul with which he conveyed his message and emotions. But we left it that. Kind of thinking his music was for others. But watching Ross Killeen’s debut feature doc on Damien, xcts orvigin THE COLOUR OF BLOODcognise as a fan rather On a recent sunny ThursdaStanding in the derelict Fruit ’n’ Vpher Daraening, I f ket in the heart of real life connections and secondary tittle-tattle. We may never say no to an invite again, even a Budweiser one. In this issue we’re mixing past, present and future – gleaning insights from past editors and contributors who brought us to this moment from its inception in October 2004 whilst also delving into thoughts on the city from some of the people who keep it fizzing. And we have the buzz du jour, CMAT, gracing our cover as we discover more about her and the forces which surround her. to see this collection ofh. M and Bloomsdaus agaurenhich me ningf l mahe biuflll in thi es kd up bein o , the v n fan writer context – up ce very m h hope 2021 will bequeath usw ht sa w a infec ble intervention in the city. Getting the keys to this we can engua n tnner or ene eys perg act sr w t ame the a suitatiou e camo n his face, was th oant to givva e l nw w y over wisua b ter we, we’rn txtr therything this city so badly needs - fun and sub es – a o g pou a f ms – beml Dkled . I dones frn.i . This copy might htment of I love coming home on the bus on a winter’s night my trolley of books beside me. Sharp lights shaking the bay, Red, green, orange, white and cold. A ferry coming in, showing me a line or two of lights and leaving me to fill in the rest. She is tired and heavy, all the way from Wales. My bus swings in away from the coast and begins to climb. I am nearly home. opped up assisting photogrom s an n acqreaintgnecesar emhit t a t y aa heim d at the t al t m rket? In t e w oeur sh oaf m sic ma chamk you! x al on Sunday March 20. We w, a chance ou, pioning a new voice in women’s literature and rediscovering par ati lly lost ones in art whilst end of this tunnel.ermott ue of the printed word. in Dublin Old School is yet another documentation of a city in flux and changes which give us as much cause for concern as hope. Love Yourself Today, transformed this lax feeling. The intensity of the connection between him and his fans supersedes the normal live gig experience. As David Balfe says, “I was struck by how people seem to have these spiritual moments at your shows… Everybody is going to that, whether it is a religious experience or a music one, they are going to that carrying their own baggage, their own trauma and looking for a way to exorcise that.” Chatting to Ross, he also reminded me that as one gets older, they invariably carry more of the weight of life. Both Dempsey and Balfe are sonic healers in the truest sense, encouraging us to emote, embrace and let ourselves go. There are fewer more compelling reasons to be stoked about the nore Lu y sopec blusing outliers, perha w how that’s going to PhotoIr er lth we bv, t’.lhl mi s I n L d int, w o did a. ral fioud to be al hs own vly htters a ps age” o n to whats be om his f’t kno , but essential thoughta market anamots fellow popppant to go to a movie. Yr a sant to go to a mf y Ruth M sdjber eat in a restaurant. Those ordinary things are going to seem Visiting Pat Ingoldsby in his home recently brought both nostalgia, awe, sadness and delight in mixed measures. Suddenly, that person I grew up with is 80. Suddenly I am 45. Like seriously, wtf. “Don’t worry about being 80 because you’re 80 years young,” said someone to him recently, to which Pat replied, “Bollicks, I’m elderly, I’m incontinent, I’m geriatric. It’s only a number they say but it’s a fucking big one.” He also forgot he’s a national treasure and one best worth valuing in life than death. up markets are packing up their stalls after a decade in Newmarket Square. Again the power lies in the hands of the Council to see if a balance can be struck or will they just allow developers to throw a Starbucks in? And the forthcoming closure of District 8 which features orthcoming show as part of hueedoms precieat proud of the original content we bring you as we enter a new century of our own existence. Goo to the scene. There’s never been a busier time for music scene as everyone emerges and returns. John Brereton and his team are on hand to capture the moment, steer you to the best there is and maybe see you left of the sound desk. ason. We’r y Flebruary – Can I get in the Bath? (2007) lé bacorry!) b o s yssesichae , a ways wearin, wwn e may feel enor hanny rd esents oper exhibitiong a ere before he erur h hane y neteht nrres ing, hing; w ocus, observing their free-wheeling, battery power ts such as Brendanll of his artistic gravity ce easil t tue en v ession and e olution has been e. I felt like a flâneur ht thv nic bee end ofhind ormed intin in tlee Bnllo Bdar w w erienmeacea, somew h 2017. It’hich orur desig ger Lan enangdies otverhaul ofrds, who we serenced his desire for people Rapidly closing in on our 150th issue, Totally Dublin has also chewed its way through four or five various editors at this stage, with me being the very first of them. This turnover certainly has to be considered a good thing to enable a fresh approach and to keep the content interesting. The latest in line will be the enterprising man about town Michael McDermott. When we first launched Totally Dublin, the ma egetg r a may recollect Pat outside the Bank of Ireland with his books of poetry and novelty signage. It’s funny how most folk reached the same conclusion: TV + fame + popularity = success while street selling + poetry + the unfiltered meeting of the public = poverty? destitution? failure? Of course, these are the assumptions our minds sadly possess with the polluted filter of celebrity celebration. However, one thing the new documentary The Peculiar Sensation Of Being Pat Ingoldsby and poetry collection In Dublin They Really Tell You Things convey, along with Pat in person telling me, is that his time on the streets of the city was the most fulfilling and enjoyable time of his life. Music imenta Filml musician, Clubs “What can I wish for you but happier days to make up for the crisis you came through with such resilience?” Derek Mahon* (1941 – 2020) v e. Its storied past has e all haoe a stake in its future. In theastic ksd of theen r Ladies & Gentlemen ennh t chp wi h in e i The Fringe, DEAF and Theatre Festivals Clubbing Toni Walsh – 25 years of Dublin Clubbing Listings Happk in the far! The death of David Bowie hung heavy over TD Towers this month, a gobsmacking blow to receive on a dark January morning. The overwhelming influence of his artistry was visible in the multitude of ways he touched those who admired him, as a rock’n’roll star, a Restaurantsisionar - bacy Nuge Yeold 1000 tr issue 206 207 Bullishees 08 Roadmap Coral Relief ani Dublin… 14 Pat & Tom 150 Years 08 ROADMAP Sweet Treats Think on it Girls Donear Old Dublin Twilift 16 Hemlines Class focus Terminal T ne, flight’s on time Riding side saddle 26 The Producer & Director United 12 What ifo Dublinw16 CMAT 16 Design 22 Grand Stuff Putting a label on it 20 Culture Night A taster 16 The Meeting For Those I (Love) Yourself Today 22 Body & Soul Heart-shaped mind and cutting-edge soul 24 Fashion Uptown Girl 12 WHAT IF Access All Areas 20 Design 19 for ‘19 28 F 34 Barfly All Good 38 Gastr una tunes 36 Gastro Lr P eserving Vinegar Chill 100 not out 26 F 175 y al visions ForBriany Festivashion24 Fashion 18 Garb 28 Fashion Nativity Play 16 DESIGN Not that type of player 22 Market Town Your summer mixFruit & Veg 22 Cian Nugent Rock’n’Roll Singer 38 Fashion Persona 36 Gastr 36 Gastro 40 Barfly Ralph’s 40 Barfly Windjammed 38 Bitesize Spatched! 44 Audio Ugly Season 38 Bitesize The Black Fox 28 Refugees Redrawing Borders Sino-o s whown’s back? 36 Gastro Neighbourfood 34 Chairlift Moth to a Flame 36 Brand New Retro History Lesson, Pt. 2 18 GARB Change of Mind Form 30 Ulysses Rare Prints 42 Barfly For Pete’s sake GRAND DESIGNS Right 2019, let’s be ‘avin ya! Dramatic resolutions be gone, it’s really all about the incremental changes for these are the ones you might stick with and see snowball into actual change. We tap into a cast of 19 creatives who we admire and get them to share their 2018 highlights, their hopes for 2019 and their own heroes. It makes you appreciate that Dublin is really a town and we all lean, rather than trample, on each other to accrue the success we desire. And it’s all about setting aside some personal time where possible to pursue something for yourself. Brendan Duffy tapped us up with his fantastic ‘personal portrait project’ on some of the ukulele players who gather in the Stag’s Head every Tuesday. Ross Killeen realised his fantastic short film 99 Problems outside the daily staple of producing and directing ads for clients. It’s always good to have something filed under ‘for me’ which ultimately garners more satisfaction, well being and sometimes, attention in the right quarters. We look forward to you sharing your ‘for me’ ideas with us. 40 Barfly All My Friends 42 Bitesize Bread and Tea 22 MELTYBRAINS? Cerebral Haemorrhage 38 Fashion Paeonia 46 Loose 48 Print A quiet joy 40 Barflytay out of the woods Wine TimeBag of (wine) cans Fine bone china d 50 Artsdesk The 191st 44 Audio All Smiles 40 MENSWEAR The Local 52 Gastro Pizza cake 50 Ar 44 Audio Meltsdown 64 Soundbite Nourish 50 Cinema Pocket Rocket 62 Games Playtime 48 Artsdesk Grand Grad 52 BARFLY Cure for Pain 70 GAMES End of Level Boss 72 Print Night Train The F JSpirited Away 72 ARTSDESK White Swan 76 Film Beautiful Boy 74 DUBLIN GALLERY MAP Art Attack 72 Print Motherhood 78 Sound Anna Mieke Bee there 76 Film Kaurismäki’s swansong 58 Magnified Gamer Talk 70 Sound Changing Time 76 Listings The A-Z 58 Magnified Californian chills 60 Interview We Love Markets 76 PRINT Unabridged and unsaid 76 Film Dublin Old School 80 Audio Some Rap Songs 78 FILM Othered Voices 78 Sound Roe 80 Audio 78 Recognition Margaret Clarke 84 Listings All that’s fit to list 92 Interview David Keegan 80 Audio Dickless cock rock 84 Listings What’s going on? 76 Film An amoral romp 78 Sound Not so nautical 80 Laoise The sound of Galway 80 SOUND The Gunn-slinger 80 Audio Melancholic maturity 74 Print Refugees and an Idiot 80 Sound 72 Games The Ringed City 2021-2031The Fence esse in Venice 56 Design 72 Print Virgin and other stories 60 Who? What? When? tory 68 Magnified Good Trouble 56 Audio Time Please LacFess is More 50 Cinema Blue suede boos 52 Print The saboteur 60 GASTRO Hotel Y 56 Design Nah 54 Audio Gratification 70 Artsdesk Warpaint 60 Listings Let’s go inside 57 Interview Fallow wreaths ast 58 Magnified Mag Culture 52 Barfly Sniff and scram 62 Gastro Hearth ledger 72 Games Puzzlebobble 50 Cinema Along for the ride 64 Artsdesk Survey the scene 54 Sound Personal History The time is Bao Fusion Sundays 66 Print 74 Artsdesk Pixels of doom 48 Artsdesk Cross-pollinating Pineapple topping 50 Cinema 64 Soundbite eless whispers 68 Magnified Racquet 61 Interview Breathing Space 58 Magnified Eaten 58 Magnified Redhead or Dead 64 Soundbite DropChef 52 P 42 Sounds Good SOAKing it up 34 SYRIAS VIBES Postcards from the Edge ugazi meets Mingus 44 Sounds Good 48 A Flea Thing Markets move on 50 Conversation Sally Rooney uan van Vliet ar 60 Gastro Oceanic sex 48 Artsdesk Housing Thoughts Exposed brick FTW 52 Sound Working out things 38 It’s Me That retro look 48 Artsdesk An eloquent rejoinder 60 Gastro Wonton in Old Town 52 Print Platform departures Collar of Gold 52 Print Muted Radicalism 56 Design The music video Mixt emale Gaze 68 Film Drive-In Saturday 44 Bitesize Griolladh tactics 46 Print Political defects 42 Sounds Good Honeycomb delights 42 Bitesize Meltdown 28 DAY OF THE DEAD Cempasúchil in bloom 42 Susan Howe The body of an American 46 Magnified 42 Sound Delusions of Grandeur 40 Barfly I can see claret now 42 Sound 44 Sounds Good Deadly Deadlians 52 Barfly Huckleberry Grim 42 Sounds Good Ready to storwPloughing fart 46 OTT Wrestling In the ring 38 Fashion Shoot Boxing Clever 44 Barfly Gritty Urban Sophisticates e Cut’s Feast 44 Ukes of Hazzard Strung out Krew e 30 Uhh Yeah Dude Seatbelts 38 Bitesize Hawksmoor in-coming 40 Digested Digest Bitter symphony 50 Passing Through Julia Holter 40 Boss Fight Books Cheat Sheets 18 Garb Don’t kill my vibe 24 Fashion New Horizons 14 NICE GAFF Fruit and Veg 18 Garb Design Yare 18 Garb Here 16 Dublin 2020 Reflections on the year ears of illustration erminal O 28 Music Week Listen up 24 Niall Staines Glitches 24 Fashion Disjecta Membra Greemenr een E ed Monster Balloon Massacre 20 Opening the Gates PhotoIreland Festival 24 200 issues later Reflections 31 IPUT’s Living Canvas Art and the city 34 Digested Digest Butter me up Gueses dooovJapanese jingle bells When Howth comes to town 38 Bitesize 22 Running for their Lives Midfield general 40 Gastro 14 Nice Gaff Busáras 30 99 Problems Put a flake in it 16 Design Paddle your own Fjord Thirty three and a third Head piecd etro 201 06 Roadmap Pirate Raves 10 In The Frame Joycean 12 Brand New Retro It’s for charideee 14 Daragh Soden All the world’s a stage 14 Moore Street Whither next? 14 Acid Granny Loop and Hook 14 My Beautiful Laundromat Stories from the floor 200 205 203 204 Dublin 2 (01) 687 0695 Publisher and Advertising 06 Roadmap06 Roadmap BláthannaFeeling SeenHome Truths ShiotIsolationSpice Bag Connoisseurs 10 In The Frame 08 Roadmap W ureenBurnt OMa s oPillar oadw8 RoadmapV ebbed Gor 10 In The Frame 190 Br f SocietyThe Second Shiftenus out ayse Limbs f Meath Street Officakes 12 Brand New Retro Yellow Pages 12 In The Frame Beyond Drifting Surviving ChristmasDublin 1985Too LateuperServing S ot Rrop your guard 12 In The Frame Daragh Soden 14 Brand New Retro The Specials and the Beat 14 Nice Gaff Totally Dublin 60 Merrion Square Dublin 2 S eft an Hallenius stefan@hkm.ie (01) 687 0695 087 327 1732 08 Roadmap Sinking Feeling Hot ter Ralph Girl RockWabi-Sabi time Totally DublinTotally Dublin (01) 687 0695 ps@hkm.se 12 Brand New Retro 12 What el10 Wha If Central HShe’s a modelser Dain, rain go away Spiels on wheels Shanzen 14 Brand New R’t Cry Long Mile Works Bay City Scrapbook 12 What if Dublin had a national park? 14 Design Dublin Chapter 14 Nice Gaff had loved its little lanes 14 Hive City Legacy 08 Roadmap A career pinnacle Banned mobile phones in public spaces 16 Design Publisher and Advertising Stefan Hallenius stefan@hkm.ie (01) 687 0695 087 327 1732 01 676 6686 Editor & W tisingt (01) 687 0695 (01) 687 0695 sttefan@hkm.ie Editorial Director Peter Steen-Christensen ps@hkm.se Publisher and Advertising Stefan Hallenius stefan@hkm.ie (01) 687 0695 087 327 1732 stefan@hkm.ie editor@tallenius 087 327 1732087 327 1732 Art Direction Ptet an Hallenius 087 327 1732 Peter Steen34 Digested Digest Carb ParksWhat’s fermenting? 16 Design Shane Griffin come home for a visit Sounds Around 34 Digested Digest Where the wild garlic grows 38 Gastr 22 Liberties Next Craning for a view of the new H gget Scrumpet Double Trouble 30 Dublin Old School Settle petal Babett 30 Dance Festival Spaced Out Karen 22 The xx Slightly bigger, slightly bolder 34 Bear Necessities38 Tourist Trap Style in the City 28 Not Another Agency A look at the new model army 34 A Different View A preview of the film festival 46 Shoot The Problem with Strangers Couldn’, filthy, reach-around Living pictures 54 Audio Houseplants need water 50 Cinema Strickland come dining 52 Print The trick-mirror of myth 52 Sound Emperor’s new clothes 44 Something About Mary A presidential encounter 46 PhotoIreland Festival Junior Boys More existen Dirty tsdesk48 Ar t give a Flying Duck Feedback 46 Barfly The old fashioned approach Antoinette Gonzalès 64 48 Hours Spent in London 48 Print Beautiful, stark, thought-provoking Editor & Web Editor Ian Lamont editor@totallydublin.ie (01) 687 0695 editor@tot & Design Publisher and Advertising Stefan Hallenius stefan@hkm.ie (01) 687 0695 087 327 1732 Editor Editor Editor ps@hkm.se Art Direction & Design Lauren Kavanagh laurenekavanagh@gmail.com +44 75 989 73866 Michael McDermott editor@totallydublin.ie (01) 687 0695 Art Direction Art Direction Art Direction & Design (01) 687 0695 Lauren Kav & Design com Lauren Kavanagh laonor Fitzsimons Fashion Editor Sinéad O’Reilly sineadroisinoreilly@gmail.com Lauren Kavanagh Literary EditorLiterary Editor +49 0176 8549 7666 print@tot Literary Editor Luke Warde 54 Barfly tySlumber par tialism, less cheekiness 52 Barfly Eva Carola Jeanne Emmanuela 60 Gastro 54 Gastro Casual dining north of the Liffey 56 Design Provocative exaggerations Queasily moreishf youth 56 Design People Power Places 60 Who? What? When? Where? Nothing ventured… 60 Who? What? When? Where? Steeping out 70 Artsdesk The w esCliff not elands o 68 Games A pope-ularity contest ape of memories 74 Print The Doll’s Alphabet 56 Cinema A directorial star is born 76 Print There was no ‘main’ Beatle 58 Magnified 78 Film Darth Vader on tenor sax 70 Artsdesk Gross, elegant, surreal, minimal, tactile 60 Who? What? When? Where? Go. 70 Artsdesk Queer desire and public space The multiplicity of Arabian culture Corrections: In our last issue (Cover Where? the wrong contact details for one our featured book designers. ness, and we ask all of you to seek out her wonderful portfolio of work at sarahmaywilkinson.com Swing out Sister, 195), we inadvertently included Now 76 Film An unnecessary Trainspotting sequel Sarahmay Wilkinson, we seek forgiveCasual equine endeavours 84 LISTINGS The whole shebang 84 Who?What?When?Where? Paper it 82 Audio The best work in years 84 Listings Check-ch-check-check-check-chcheck it out 84 Listings Where do you think you’re going? Film Editor Oisín Murphy-Hall film@totallydublin.ie Martina Murray Web Editor Martina Murray mm@hkm.ie Literary Editor Gill Moore print@tot urray mm@hkm.ie Literary Editor Gill Moore Aidan Loner film@t 085 851 9113 Sales Executives Kevin Gibbons kg@hkm.ie 085 869 7078 Sinéad O’Reilly Distribution Distribution Kamil Zok kamil@hkm.ie 085 869 7078 Film EditorKarl Ho er kamil@hkm.ie Oisín Murph Al Keegan ak@hkm.ie 085 8519112 Distribution 085 869 7078 Web Editor Martina Murray mm@hkm.ie Literary Editor Gill Moore Mauricio Ortiz ortiz@hkm.ie 087 6305788 Trevor Hull th@hkm.ie 085 881 2169 Nicola Cross nc@hkm.ie 085-2524449 kg@hkm.ie Web Editor Martina Murray mm@hkm.ie Distribution Kamil Zok kamil@hkm.ie Literary Editor Gill Moore Distribution Kamil Zok kamil@hkm.ie Lisa O’Brien lob@hkm.ie 087 355 0230 Fashion Editor al@hkm.ie Literary Editor Web Editor Art Direction Luke Warde Arts Editor Stephen Moloney artsdesk@totallydublin.ie Luke Warde Film Editor Art Direction +49 176 8549 7666 & Design print@totallydublin.ie print@totallydublin.ieallyy-Hall film@totallydublin.ie ur Oisín Murphdublin.ie Lauren Kavanagh Martina M Martina Murrayallydublin.ie mm@hkm.ie Web Editor Sales Executives Kevin Gibbons kg@hkm.ie 085 869 7078 Kamil ZokecutivesSales Executive kamil@hkm.ief Literary Editor John Patrick McHugh print@totallydublin.ie print@totallydublin.ie Rachel Donnelly Editor & anagh & Design Lauren Kavanagh laurenekavanagh@gmail.com +44 75 989 73866 Fashion Editor Editor Web Editor Michael McDermott Art Direction +49 176 8549 7666 (01) 687 0695 Michael McDermott editor@totallydublin.ie (01) 687 0695 honorfitzsimons@gmail. 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Re-emerge Catherine Rutter cr@hkm.ie 085 252 4449 Lisa O’Brien lob@hkm.ie 087 355 0230 Rachael Bailey rb@hkm.ie 085 749 4887 Trevor Hull th@hkm.ie 085-2524449 Micheal Coughlan mc@hkm.ie 087 627 0367 Distribution Kamil Zok kamil@hkm.ie 085-2524449 Lochlainn Byrne lb@hkm.ie 085 252 4449 Distribution Kamil Zok kamil@hkm.ie Distribution Kamil Zok kamil@hkm.ie Distribution Kamil Zok kamil@hkm.ie Distribution Kamil Zok kamil@hkm.ie Arts Editor Rachel Donnelly artsdesk@totallydublin.ie Literary Editor John Patrick McHugh print@totallydublin.ie artsdesk@totallydublin.ie mm@hkm.ie Fashion Editor Amelia O’Mahony-Brady lafemmeeclectique@gmail.com Advertising Manager kg@hkm.ie Fashion Editor Sinéad O’Reilly sineadroisinoreilly@gmail.com Sales ExecutivesSales Executives Film EditorKevin GibbonsKevin Gibbons sineadroisinoreilly@gmail.com kg@hkm.ie print@totallydublin.ie kh@hkm.ie y-Hall Kamil Zok Sales Executives Kevin Gibbons kg@hkm.ie 085 869 7078 Kevin Gibbons print@totallydublin.ie Sales Executives THERE’S ONLY ONE PAT’S CHAT (with Tom) WHEN INGOLDSBY MET MATHEWS ACID GRANNY BEATS ON THE STREET Cian Nugent finds his new voice CHICK ‘N’ PIX BIRDS OF A FEATHER AT PHOTOIRELAND FESTIVAL MAY 2017 / FREE / TOTALLYDUBLIN.IE CIAN-OEXPRESS YOURSELF HIVE CITY LEGACY AT THE FRINGE welcome to the world of TROUBLEMAKER SOULÉ IS BRINGING IT BACK TO BALBRIGGAN NOVEMBER 2016 / FREE / TOTALLYDUBLIN.IE TOTALLY DUBLIN Questioning TRANSITION INSIDE THE INSECT MIND OF CHAIRLIFT’S MOTH UKELEAR POWER IDENTITY AND PERFORMANCE IN DARAGH SODEN’S PORTRAITS Four strings to the wind #136#137 SONS OF DONAGHMEDE MARKET CHANGES with with FOR THOSE I LOVE AND DAMIEN DEMPSEY IN CONVERSATION FOR THE FIRST TIME THE BAND WHO FELL TO EARTH Cover photo: Chairlift, photographed by Tim Barber Cover photo: Cian Nugent, photographed by Cáit Fahey SKY’S THE #152 Cover photo and this page: Mark Mangan of Ukelele Tuesday, shot by Brendan Duffy This page: A still from The Peculiar Sensation Of Being Pat Ingoldsby Cover: Pat Ingoldsby, shot by Malcolm McGettigan Mark Conr LIMIT Cover and this page: Acid Gr #153 #149 Damien Dempse Jill Anderson #146 Colim Armstrong Mandy Barkery Sar er: ennan Cover photo and this page: Meltybrains?, shot by Patrick Dyar s Contributors Killian Broderick Thomas Cahill Emily Carson Paula Clarke Liza Cox Felipe Deakin Leo Devlin Ollie Dowling Patrick Dyar Jeanette Farrell Daniel Gray Gorjan Lauseger Tim MacGabhann Maryam Madani Luke Maxwell Aoife McElwain Martina Murray Julia O’Mahony Sinéad O’Reilly Cecilia Rangel Sarah Taaffe-Maguire Mònica Tomàs White Dean Van Nguyen David Wall What If Dublin Kenny Whittle Contributorth Seanette Farr Jakub Dulak Zara Hx Joolly Gash Aoife Herrity Michael McD Rory Kiberd Keta Hx JRory Kiberd ell Andrew LamberSharon Phelan Tom LGrdan erry Mahon oe Joyce MarIThom McD y an Lamont Róisín Murph Michael McD Yuke MaxwellMcManusCaoilainn O’ReillyShannon Ritchietigan IBrian McMahon Contributors Killian Broderick Thomas Cahill Daire Collins Jonathan Creasy Leo Devlin Ollie Dowling Mark Duggan Cáit Fahey Forget Eliza A. Kalfa Patrick Kelleher Gráinne Loughran Luke Maxwell Aoife McElwain Paul McHugh Martina Murray Bernard O’Rourke Eoin Tierney Mònica Tomàs White What If Dublin Danny Wilson D mtina M o-vyo Austin MaloneReg McCabeeSeamus MurphShane O’Reillyyy Deirdrunne Ca can Finne e Brennan Tom Cahill yrne Holly Gash v ry Kiwks or Clare GallagherOllie D wling Hannah ClarksonLortherine B gan Paloma BritZoe Ardiff o Sophie Brennan Amy FayLiza Cox Marcus Cassidy Holly Gashworth Killian BroderickCúán Gre Graham CorLulu Broderick Killian Barry Aoife Hberrity Mark Gillerd H oe Joac T Elliot Cover and this page: Killian Broderick annah Clarkson Killian BroderickChin Gr eeneCúán Greene Eoae Ha J e Bur upt Hannah Clarkson Reo DevlinoyMark Conr coran Killian BroderickSophie DonaldsonBrian Houe Brophy Enda Burke Zara H onner Paula Clarke Eoe Ha erw Rhona Byrne Sohn HylandRíon Hannor D drorom Lordan J tephen Lo Daniel Grson oe Joyce Leo Delly Olen BajariasDaragh Deighan-Gregory Andrew Lambert edderman Eric DyvidsonMark Hille Killian Barry Aoife McElw P er Morgan Andrew LamberSarah Doyle or s Crephen Cox Gary Cullenva Matthew Kyelly Michael McD Kerry Mahony Michael Lanigan K a Haleon Kevliny osa Teir e Fallony Ciar Hvannah ClarksonRory Kiberd orth Finghín Littleell Ltouise GlennonHe Jo ce Tion MahoneTim MacGabhann Kerry Mahonyermott Finghín Littleain Zara Hedderman Michael Lanigan Declan Kelly Tom Lorerrity ay Kay O’Grady Martina Murr Sorcha McElrKay O’Grady Conor Stevens ona Kuy O’Grady Padre W ke Loe JoyceBernard O’Rourk Kier Polina Permino Kay O’Grady ay Brian McMahont Kerry Mahon Ruth Medjber vt eanette Farr Brian McMahon Devagh Soden J ucy Ann McCabetephen Cox Finghín Little Brian McMahon Niall McCormackE a Shordan Brian McMahon Kay O’Grady oy Ross McDonnelle queline Landey Killian Broderick ContributorsContributorsContributortS ephen Coxtrick Hannah ClarksonD ve Dwks don Olen Bajarias Holly GashJamie Fitzpa J ve oyceene Celest esmondSean Breitha Killian Broderick Killian Broderick Contributors Zara Hedderman Felipe DeakinCúan Greene Eve Haeddermane Hawkserce t J eative Beast Zara Hedderman Zara HeddermanAndrew Lambert Michael Lanigan Rory Kiberd Zara H danom L edderman Daniela GerRachel Donnelly Zoe Bonniean th S olly GashBrendan DuffyConor Creight Rich Gilligan on Eoin GavinCúán Greene Eduardo Hw Rachel Donnelly Liza Cowksw Gerry Balfe Smith Ella Bertilsaan gan Giit Joe JoyAndrew Lambert Marina Gr eeCaoimhe K ville Killian Broderick Finghín Littleatt Felipe DeakinSam FordKillian Broderick Zara HammondSam Hiscox Rachel Donnelly Lisa CoeddermanAndrew Lambert J erry MahonySophia McDonaldSophia McDonald Seanette Farr Orla Langton Mare H ac O e Herrity Ellen King Olivia Fader Tom Lordan Martina M y Ethan Hart Malcolm McGettigan Felipe DeakinSinead FurlongEmil Herron Michael McDermott Jac an KilgannonAmy Lauren Eilish McCormick Tllie Dowlingom Lordan ySophia McDonald Aitana Silv w L iarmuid McGrD vid Wall Martina M e S onal TurpinConor Stev Kerry MahonLucy Ann McCabeRachel Sender Padráig Nolan Richard Seabrook Aoif to Stano Da e McElwain Toann ySaoire MonahanMar se Dalym Solurray Malcolm McGet Kay O’orval Brian McMahon Ciaran O’BrienMartin NangleAdam Walshe K y O’Griarolan Kay O’Grady AukL e W de Alic y Wilson ia K y O’Grcady i Jack O’Higgins Niann Dannh O’Reilly RannKuan van Vlietv Pienhn as Emma Ltou Wright Luke W deaafd Luke War urray Nukll Sd Seabranny Wilson Conor S evens Luke Wickenden Donal TalbotMaguire Monicamlehtd or Stevens Alice War e Denn Alice Wickenden John VaughanBen Walsh Dannice Wicken en Aluk y Whit L e Wardetley Wilson Danny DannDanny W Emma Lou Wright Kohei Yamamoto All advertising enquiries contact stefan@hkm.ie Read more at totallydublin.ie contact stefan@hkm.ie Read more at Read more a Totally D Dublin is a mon T Tallyallyublin is a mon thly HKM Media public tion and is distribut and fr ot ot D Dublin is a a monthly HKM thly HKM Media permission from the publishers. 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