The Goo 1
Live Reviews Efé credit: Oisin Brennan We’ve Only
Just Begun - Whelans - David Carr Whelan’s Festival has carved out a unique identity, championing fresh local talent while spotlighting female and non-binary musicians. Celebrating its fifth year, the festival boasts alumni like Sprints, M(h)aol, Pillow Queens, and Soda Blonde. For those intrigued, there’s even a free online directory to explore more artists. Night One Highlights: Annika Kilkenny kicked off my festival experience with a heartfelt solo guitar performance. Her brief set, filled with sincerity, ended on a high note as the crowd joined in singing the “La’s” of her final tune—a mood-lifter for anyone shaking off the day’s stress. Holly Munro followed, adorned in a graceful white gown with a bouquet-draped mic stand. Her set was dynamic, opening with an unreleased track echoing The Blue Nile’s vibe. She seamlessly blended English and Irish in “Out of Style” from her recent EP and introduced new tracks that hinted at exciting future releases. Theatre, from Limerick, stole the show with 28 a seven-track set, supplemented by an atmospheric interlude. Their ethereal folk sound, tinged with shoegaze, captivated the crowd. Maeve O’Shea’s evolving vocals shone brightly, making it evident why they’re a live act worth chasing. Though I only caught the last two tracks of For Nina’s set, their heavy rock sound, powered by Holly Owens’ soaring vocals, left a strong impression. Tracks like ‘Silver Spoon’ showcased prog-rock elements that fans of KÎND and iNNUNDO would appreciate. Hotgirl, familiar from supporting acts like Fraǔlein and Fat Dog, thrived in their headliner slot. Jake Hurley’s engaging bass lines complemented Ashley Aberdeen’s charismatic stage presence. The climactic performance of ‘Wrong’— with Ashley leaping into the crowd— was electrifying, signaling a promising future for the band. Night Two Discoveries: Strategically positioned upstairs, I caught All Thumbs, whose indie-pop charm, reminiscent of early Foals, was amplified by the potent ‘Back To Front,’ evoking The Cure’s influence. Their versatility ensures I’ll be back for more. Sara Brooki delivered an atmospheric set on the main stage. Unreleased tracks and her commanding vocals hinted at a band on the brink of broader recognition. Hannahbella’s eclectic energy enlivened the room. Bouncing amidst an Among Us-themed crowd, her set oscillated from drum and bass heavyweight “BASELINE” to the dance-infused ‘Dainty Fae,’ radiating infectious joy. Becky McNeice quickly transformed her stage into a vibrant party. Guided by “Uncle Eul” on the decks, her dance-friendly urban beats fostered an irresistible party vibe. Negro Impacto, the neosoul duo from Dundalk, mesmerised the crowd with sultry tunes blending rock and funk. Chi Chi’s fluid vocals and StrangeLove’s dynamic instrumentation created an unforgettable close to the main stage. Rushing upstairs, I squeezed in to catch Delivery Service’s ‘Ghost,’ a ‘90s-inspired gem. Their crowd-inclusive finale left me eager for their upcoming gig at Anseo. Night Three Crescendo: Cork’s I Dream I Dream opened with contrasting vocals—Julie’s post-punk