Totally Dublin no. 219

TD 1 issue 165 - market forces iissue 136 -e 14937 - s su Music Music Annie – Pop Princess InterviewInterview Annie – Pop Princess Eamonn Dunphy on Dublin Luas Luas Win, Luas or Draw? Win, Luas or Draw? Eamonn Dunphy on Dublin Hidden Dublin The Untold Stories Hidden Dublin The Untold Stories anua w The death of David Bowie hung heavy over TD Towers this month, a acking blow to receive on a darkn a dark e overwhelming s ry was visible in The death of David Bowie hung heavy over TD Towers this month, a gobsm gobsmacking blow to receive o J January mor Bars issue 153 i - Balbrigg Restaurants ssuamo eyes worlds away - c e 146 -anit a keen co a keen collllabora or and an icon off 200 - JULY 2030200 - JULY 2030 I’ve all knoI’ve had the idea of visiting some of the remaining laundromats I t’ha umble on p dollies that are Acid Gr e Sa ughts a or quite some timekor quite some time s ound to it. P ieno k ep t e co s iss T u bh of ount in lin , mostly flenha ioor our lead flimax oferer The evolution of a city also involves the evolution of its markets though this is something Dublin has struggled with over the years. Leaving aside the on-going scandalous dereliction of the Iveagh Market which the Council is trying to take possession of, there are other developments taking shape. Our lead feature talks to the various parties affected by some wer commission. His gm h style dry miueen es frpher rreiging re iadinoject wsnet w s anh n fiseart aes ie end of the we str . Thco es wty soms taken time and a pandemic to bringve j a t déjà vudeues t an a bbl.ce an te w . ver nsiderable ur to see this collection ofhat tht floe Reecaus a ruthless hich e can engaunf t . Ca vaain, ee scale. He doesnhile no’ cene sa tve the Bars II fir’ PATRON SAINTpher DarStanding in the derrelict Fruit ’n’ Vaening, I f et in the heart of On a recent sunny Thursda h hints ae. Its storied past has PATRON SAINTpher Darvgh Soden f wk n rathtainly has I first saw Sou r CLOSE UPs eiut . Ators aviously, t On a recent sunny Thursday e se a All going to plan, Jl o c ewe en NIGHT MOVES d o THERE IS A LIGHT… uy o THERE IS A LIGHT… t transgression, impos dollies that arouf wroiirdtte legacy a ersed the streets of the A gipd then a desig y from their lock-up in Block T hat in the city, f w the city creates an immediate sense of v awe. Its storied past has sWISHting Talib K li. Her pr s iut eears a uncn thesig er rt rumber of , ifdy a w iwn Pariitting; whb OUR BEAUTIFUL LAUNDROMATSah t’, w h me b divt ha e been celebrating the 200th edition back in May 2021. o r C b in N v any one definin h om ts wam a lif imo of crearttioiiv y din M atching the calib K li. Hm thien what has been a truly Gher kable younded b u Le Cool h a tially inspired b. B t evene yut somees hope, can be fun, b , a een t Irish AWven wa ag ng t ienomen vny u provo, he often cropped up assisting photoggom u Zoom s moment surr,h is released later this month, a class of primarv hger tic ead binding them is their Nigession and ea t while. It onound in print nine years later, cn Ovaer the course ofr a f w daays, I jumped on a boo, it is in a limbo moolhardy also. Hoc eve taor all the wr inh, her swago t celebrated our 100th issue someone said Totally Dublin woulde a flâneurke still be ar iim McacGaaeageas ho dropped b . Photo hat wg aits – he s e tht er la rana un nn t oo a pa etawant april and Mp , winding their way from their lock-up in Block T, dog h homas Str ounded bdi ig back in J thrking oi and stalh anyo s moment surrear pn er Yy bckable y e w to their rest recoimm cr eighdf hitn, i in ar a t and just w iim MacGa he s like a best k . RIP. and arver e sent m sformed int f t en f & Vgazinb Fh I we Ph edite. It’s not e summrerher p ae us back in Mar h 2017. It’s taken time and a pandemic to bringve t b sre 100th edi io mho lo n acqu ad aar emhit t er ul the i h l Tvette as w eet, past Christchurch, dots tsin eep the space Yy bigemove, the p attan Bridg mhat removee I. W h as Bren f hi erpr hvst e c rag; wy an dn Mh Staines caic, observing their frn hbce easily eogrhert. At t e end ofexico ta woung fella, despairing of division and conflict, denouncesle B It’s summer and while we all await the showdown between Oppenheimer and Barbie (neither of which were available for advance screenings before we went to print), we have to make do with the popcorn fest that is ‘Saving Public Ryan’. Usually, everyone wants to attempt to switch off a bit and ow t er o h 2017. It’et h orur desig ger Lh indien co l vanagut c. Is imbued wid inh hk b linys in Ardo ecommu l oa’tion, itoots and heritaerian r is g man a ou wod cotwarts suc ’ve b lumpe iden er th elt likrav y’s li been an absolute headmelter. It fteels apt, then, to have Niall w ticrds awarts suc hing his prt mi siv h ro e enr m Md ogfe as Tnrking oesting spot on Gr vg ession and e olution has been with a f g and reacD ain onderful series of por w is an ar hitecturl M si’ait and see ws lw, wrhs e t otestants. An astute w pher Malcolml l with a fc g an al delight and a reminder of gra e you w Tod confiden agatcann y ev . RIP e fe pa hat was and Staines captur d rl ann ur , wtt.ssiv hances ary po ys, H concgnition b aller9 a d Hv ceiac anted to gtes old w en f passersby. Ptlk taradi io hicienet tomre. Thitn Ladies & Gentlemen thst mones is trae of a conndecin in tleasaen lo Bdar a the stupidity of it all by simply sa e ee in its futurticrks h e ta hat the beating heart of a their understanding of Catholics and Prs ersmgo eminder ofm Mexico ed, a a thrill as he has mor ht her aga heeling, batter y wa erould th At the start of the summer we sat down with photogruit l hs bcenes ie fir t l me w wae, some wer t of the Set blin hat could be. In the meantime, people need reminders of Le Cool, he often cropped up assisting photo romg a remar f hicd w e immddi tw hotelslor all the wrs inic glimax o artrg w a , observing their fr t the city cr sidered a gs, t ugay a, bversed the streets of the mpve yt g T ming documentarhiesence a, it is in a limboue ndo w d woell as being a sounder on hand to keep the space vbsolute headmelter. It f’ o ov pt, then, to have Niall wsa erhen. H t of the summer w e born hergs nor its eagrin f N passersbable m ken. uov h . Ther t F interim, its dilapidation actually fits perfectly for something rummhucrk u ’ n w phine’hicad a elt alilend o auren bue’ wture evrock in Marolitched but ther s still hope and the ones we lo ug t on b eries. Her f es aoecoart oo eople stopped in their tr h o ssue mald when e. In the w veree tpe born ther ove plitcectoioan b Dw ehe T tg aom interim, its dila snt m h ih ce bksa, some’e all bleed the samees i astic ks s a thrill as he has morphed into an in-demand phototr wered, t m hth, I c e prven wd €3m deorolo shoe sat down with photoem, ve a & Vgazin ima n f. People stopped in their tr. Thits i’ying, “Ws fanthat bemused cohat they made ofn acqelt liktgrees sin McGettigosh, I csansfht h h , loops and double tak its existence and how wdle ofienm h os faue mar else the city sor ough sheer tenacity club space and the longK intervention suc vun i ed in k into the thrilling w wNight Mo es is our little re-imapshot ofn to nore may ne T eavery mucg out their ou n tnner or enhich say s or a wein ec h anid traan writert y a suitabet hbeeention in the city. Getting the keys to this ar er wen ahine.urbiIt goes without saying that we owe so much to those whos b R ofe might ter ool Dra ts from DCC and the Department ofen longer. There are countless fascinating stories to be told which we simply missed. However, the cross-section we encountered represents an intriguing small snapshot of a churning city. There are brief snippets about evictions, the weather, creating a new life here, passing through and simply having a broken washing machine. It was a real pleasure to inhabit these worlds and the lives s eel. I hope that it’s mainly a sense of rnaediscoys, “I whern uy ho ant to let politics angou want to go to a mf y Rly hth Mr sdjbell sho s a pr vv ybody is going to that, whether it is a r exp.ere it’xtraor s at and those pushing it forwar wntind bh ho b’e taking tentati de simply missed. Ho d d wucad fetom a dei s. G them to the right place at the right time. But they are here.reatt smaectaatn ns aboalent. Iich gining moment with Nialler9. contes co wn thrilling card it’e Night fn n ah hope 2021 will bequeath usw ht t of this centur anticipated o s ima anvd we stsrtin o et n sw et eper rea When askiov innocent civilians in Ukrdt t e cit ws bdd y to look at ho were a so ol mvite age n hid u victions , the vsa w a d hond. Tlepu K neetind bh h tounues, wh celerts a d deft t len h mondrort. s, ca Culture…esm s ph og kleho. Thibit these wut essential thoughtR heart-breaking to witness the the senseless brutality of it all hy the sight and sound. To sen a surviv len ed places out fleria and plain survi . I’ e bv en back thrg mceship wt ch indien One thing in par a arn’er, the crer er conm a deihat al and ed exp les io bears of h. M ls ty and its here Le in a om does. The brief a ew mor a overhaul ofreve e ssr oss-section whareepne a er oeprocea ui b g wefle t. It floe Redd does. Thoss smimko j a t déjà vu e it en v s, w soneaenced his desire fd old of celeesents an intriguing small sna h t “h y anitd Le Bo snippets a e and be observ hile noied with fresh facesn f boutler uasbel L k otra Rveticular which resonates with me is their expDuring our con ersation, he ref ws. oo ve oe encounter es r office bce a ou it imag o e v xt – up c a them to the right place at the right time. But they are here a s der ce bd win oelt like what the beating heart of and those we ar e life in Dubelin in 2023.ce a ndeues tho lov o boe us an ged about the prospect of a r uildin t w Ul t ie-imah eturn to nore were a so og lose and lar e scale. He doesn’erft wl po e vaee Don DeLillo observ esent and futurd inn h o e sarv smarts a ed about the prcospect ofws bld inmee Le in a sense ofa ne waears of h. Mes in their pr om g arra v ven usbeel Lako a R ersation, he ref wseels somew fa l a d holes le? Can it runhc t i i and Bloomsday to look at ho s game at in vt i hat he called “threr w lor one night onlylslything this city so badly needs - fun and sub entions ofy h erdg am”. e a e t. Sreel enor ly htteliefr, bf orom aeal life connections and secondary tittle-tattle. Wmality . r Night Moves is our little rt is tae , a ways wn f or s vou uc s ar tingg tt on tashing maco a v lua ral d ex et? In t lee lines on Instags ot t ae coon en w mioereinw, thtae rs io l flokemely prmed this lax f eturen exuahe intensity fun city needs to be pumping out. It feels some hat a orur rWd lift tn ns abv efled. Ailbherenced his desir e pt as we – Michael McDermottco licensing la ad frween retablen humanitarian crisis and utter destruction being wr’During our cons deri licensing lae k b. arrwieen r a pt as w cornteny aay oo a vo lisuaattl trtth hi cellentlent er eyees a w lor many people, it’s going to be difficult to ret, sf i lusi igin evherraderself T xtr auncl fioud to be alutors who brought us to this momente hedr Luslh tpec p y e ars coppsked in poy might h end s unnin e w v, t e a h e k w pagrurb of B lb va r s xt – up c l lile o aeer paths herfodert wt srfe and beyl p n bouties aheyo e . o infeecoule intervks oe t Don DeLillo observe, passing thr, angge ey , wans t erer t ue bheforhts - te h w er w aree’ruoday trIt goes without saying that we owe so much to those who w omens p the norol to be not one of’ t. eal pleasure to inha with thanks to supporbd hydinarlhidn.p t tauilding, albeit for one night only, is frankly an epic thrillm n manrge ms – bemusing outliers, perhavos coany might have beenee bl w fromene Codom a rnes as a r m as oru T v rader le, w again. Don’t forget to pack the suncream/water proofs. S Ybipt wt leaortunate to see , tf hoo s Thil PhotoIrlst e encoura e yal and hopefully do them justice on oureel. I hope that it’ h ring Sou f Bacon a verho keep itur a and w her s we r xperience. As Da the people w eputaertne fEo et tok eland Fwhonaestiie we tea’.lk tl min exaura mecrket amots ferled fr o s wrag araI was also f donhe night will be a mash-up ofm/watnamorts felfs.orw popfizzinged in a lor e the buzz du jour athfarnham Castle this s uou w. And w tunate to seever ecaus o h te and weo eci ae u Tes and persuade y’he night will be a mash-up off ho, CMAThen you become syou w d in a loicing bv et out to R lco ep rhat’stio as wy yt i r j b st v igrio w o heaathfarnham Castle thise hee Mic eat l er Nnw dooces o’rt f t bet t vin Swe orward – diffn ent sounds month. estaur e tic ou to g tr a sant to go to a mf y Rptph Mhadjbn.. a od a wn d wigth th end this btldin eason to be angk l id oaut fk their own ba.gege wa y Dusic cererand burtweer. ttints vMichael McDermott n rights art leaat v’re deligshlyed t ougt m ade all the m Nnw doo’rt f rgorf Ck inlo s o o enrur buiac h d Nid tluler9roo finhtah woe’r . angws… Ev legant. T bout her and the falriousw ohr eae a– Michael McDermott in Sr his btionea S s pa ippe o i, w ation of s tadinar houg es, m McDien– Michael McDermottet t e afo emenemenviok l id oa t fk s on names stellar job, we’re delighted to welcome Michael McDermott back into our building and to help develop the Totally Dublin brand further. Here’s to the transition and the next 150 issues. cMichael McDermottlll ag a nl as voice in whattevever p hance ou, encour rains? cohat you’re up to and toast the light at the exper ything else pales this month. But w g aer wn And we’re g rks os bvesur music card d bet heen Staines in Hang T he f h K ar sason. We’r y Flebruary c– Michael McDermottvariaoly carry more ne ’s lixperiencede to Both Dempsey and Balfe ar y March 20. We w, a can, a chance ou, ane tyebging us to emote, embrace and let ourselves go. extraor wIronically, many of them also hae going to that carrying fi hIn other neyws, we’d like to welcome sister publication The, w difo aent perspectier l prso maetting out and about talking to artist Niall witave prp te g agle hetting out and a, most importantly, open to t Staines in Hang Tough Contempore h R ext 150 ie ed of’ e aesgoeyman t remain a boxed off bogeyman s evercise that.” Chatting to Riit h Kurossurd th otally Dublin Liv in Rnpionin ceiver 24 and bringing a v ey special edition of T ver experiencede to hance to dip in from nine to ninetyant to see y We toast the sense of extraordinary this Christmas for we have lived, loved and lost in this landmark year. A heartfelt thanks to our contributors, stockists, advertisers and readers for sticking with us as we try and navigate towards better days. ser T uae end of this tunnel.her l M hles w ttt lue of th . Go easy ese worely hope you can join us on Culture Night, Friday stin ereo un eer g w h m k’s Festiv These sincerds are yours now. – Ian Lamont the return of the communal live experience than seeing these guys performing on stage. – Michael McDermott ThWe sincerde wor s are yo September 23, as we explore a better future for all. Granny sometime soon also. – Ian Lamont Nollaig Shona Duit, Michael McDermott – Michael McDermott Michael McDermott Nollaig Shona Duit, Michael McDermott – Michael McDermott Michael McDermott – Michael McDermott – Michael McDermott Nollaig shona dhuit! – Michael McDermott Michael McDermott 6 Nollaig shona dhuit! – Michael McDermott Michael McDermott – Michael McDermott Michael McDermott – Michael McDermott – Michael McDermott 6 4 6 6 66444 66446 66 44 4 4 – Michael McDermott 6 – Michael McDermott – Michael McDermott With sincere thanks to all contributors past and present, September 23, as we explore a better future for all. the return of the communal live experience than seeing these guys performing on stage. advertisers and readers who encourage us to do it again and again… advertisers and readers who encourage us to do it again and again… *from the poem ‘A Birthday’ published in Against the Clock (2018) *from the poem ‘A Birthday’ published in Against the Clock (2018) Tha opava, as we ew visi r St Patrick’s Festival on Sunday March 20. We w laneture Md r b scover me farro ati lly los in Rhis is a c it. T jhis is a chance to dip in frtom nine to ninetyant to see y and redisdi covering par ially los disio Meleconnect, tell us w hance to soak up the atmospherics of a discovael M h unique space. cD rue va unique space. cD rue value o easons to be stoked about - Michering t e tir mi erme’orte racking up. Go easy serious a ely hope you can join us on Culturles we compelling rg up rinted w.ord.. - Michs aing t e t one gk you! xou! x al on Sunda ing w a end of this tunnel. – Pteter Steen-Chrig pstensen ose are some k f the p ewer mor re rac in e printed word Goo to the scene. There’s never been a busier time for music scene as everyone emerges and returns. John Brereton and his team are on hand to capture the moment, steer you to the best there is and maybe see you left of the sound desk. – Peter Steen-Christensen ose ane somer cover e fe arir mi erme’o Michael McDermott have persisted throughout this dark period which we are hopefully emerging from, especially Sunil and Robbie from Give Us the Night who tirelessly championed the cause. Now we’re contemplating the possibilities around the rejuvenation of the few early houses which exist here. Chance(ry) would be a fine thing. It’s nice to be able to end a year on one high note. Once – Michael McDermott 24 and bringing a very special edition of Totally Dublin Liv rou a f eu y stpec es from his ft kno ga okers and talentskom some of d (S YttI wy uniqbT nosorgue in h in n r et out to R trt belh weserew mor ang es from his for p Thiervee d? h we b ’ Dcr’t fs t et t v er o g biga mar missing, a celesbrerv ga uooou w w tela, alpant to go to a mo n f h An Cailín Ciúinhose democratic b eroas also foro pac wv ou to glvie. Y An Cailín Ciúint auacing our coer Over the course of a few days, I jumped on a bunch of Zoom chats with a number of creatives for our lead feature. The thread binding them is their Nigerian roots and heritage as documented by Mark Hill’s wonderful series of portraits – some were born there, some were born here, others have a parent or parents who settled here. I wanted to get an idea of what they are up to, their sense of connection to Nigeria and what they made of life in Dublin in 2023. One thing in particular which resonates with me is their sense of getting out there and doing their thing as they carve out their own thrilling career paths here and beyond. They are not waiting for either ‘acceptance’ or ‘endorsements’ from the establishment. However, the shared understanding seems to be not one of anger and frustration at the system but one of finding a way through collaboration and self-expression. “I don’t want to let politics anger me because when you become angry you become disillusioned,” says E The Artist. Ironically, many of them also have every reason to be angry th umeates an immediate sense ofs a fava y “Hd te drin iging ourselvu s en Patd ter sno mt fnym t ‘circumstances beyond our control’ clause, with good reason. WISH k in the day w NIGHT MOVES d o eber hi sls st, tgea s oitn LIBRARY STREETSnt stuff y f them. This turnovs a fan rather now. Bacan hinor a n y when I worked out of mi eally got The evolution of a city also involves the evolution of its markets though this is something Dublin has struggled with over the years. Leaving aside the on-going scandalous dereliction of the Iveagh Market which the Council is trying to take possession of, there are other developments taking shape. Our lead feature talks to the various parties affected by e anking out beatseen To a p he Ben koject w’ I remember a Berlin pal telling me moons ago how they really preferred heading to Berghain around 7am on a Sunday morning. My mind was frazzled. This wasn’t necessarily a head there from somewhere else thing but rather a conscious decision to start their day clubbing with a new wave of arrivals. Plus it seemed to be an optimum time to avoid the legendary queues to get in. It was almost like clubbers coming off the subs bench as others flagged and the stamina of the first 1500 diminished. Last month, Dublin finally embraced modernity when it comes to our approach to clubbing and our night-time economy. The proposal to allow the few remaining club spaces we have to operate until 6am is a game-changer, in many respects. It treats adults as, erm, adults and allows them make choices about their night out rather wedging a pile-on experience into a few hours. We addressed this issue at our Night Moves event on Culture Night and in the mag last month. 6am r6am y morning. Thning. The overwhelming influence of his ar Restaurantsisionar pop v Rapidly closing in on our 150th issue, Totally Dublin has also chewed its way through four or five various editors at this stage, with me being the very first of them. This turnover certainly has to be considered a good thing to enable a fresh approach and to keep the content interesting. The latest in line will be the enterprising man about town Michael McDermott. When we first launched Totally Dublin, the We watched the release of For Those I Love’s sensational debut album from the print sidelines. Our publication was suspended in the Spring owing to lockdown. Having first become acquainted with Balfe’s heartfelt and heart-breaking eulogy to his friend and his community through Nialler9’s early endorsement, we observed it through seminal TV performances on Jools Holland and Other Voices as well as through the lyric messaging of outdoor advertising in the city. It felt like the moment may have passed to do something with David Balfe given the scale, and warmth, of exposure he has duly received to date. And if we’re being honest, we’ve never been to a Damien Dempsey concert. It was obvious he is a man who has a serious fanbase, and ‘sold out’ signs often accompany most of the posters we’ve seen. We’d seen the occasional interview and knew the endearing heart and soul with which he conveyed his message and emotions. But we left it that. Kind of thinking his music was for others. But watching Ross Killeen’s debut feature doc on Damien, Loere Yore, we’ren . Sn the “floraor t s oawguboud to be aageelingcts o hats bw ps, borlds and the lifs going toin We watched the release of For Those I Love’s sensational debut album from the print sidelines. Our publication was suspended in the Spring owing to lockdown. Having first become acquainted with Balfe’s heartfelt and heart-breaking eulogy to his friend and his community through Nialler9’s early endorsement, we observed it through seminal TV performances on Jools Holland and Other Voices as well as through the lyric messaging of outdoor advertising in the city. It felt like the moment may have passed to do something with David Balfe given the scale, and warmth, of exposure he has duly received to date. And if we’re being honest, we’ve never been to a Damien Dempsey concert. It was obvious he is a man who has a serious fanbase, and ‘sold out’ signs often accompany most of the posters we’ve seen. We’d seen the occasional interview and knew the endearing heart and soul with which he conveyed his message and emotions. But we left it that. Kind of thinking his music was for others. But watching Ross Killeen’s debut feature doc on Damien, s the establishment. Hoa, marr age, c ngu le to ex. T rv , w more imag a idlr All going to plan, July 2030 will mark the 300th edition of this magazine. Of course, if everything had gone to plan, we would have been celebrating the 200th edition back in May 2021. We all know what happened there though as we invoke the ‘circumstances beyond our control’ clause, with good reason. Predicting the future gives hope, can be fun, but somewhat foolhardy also. However, if back in January 2013, when we celebrated our 100th issue someone said Totally Dublin would still be around in print nine years later, chances are you would have smiled politely and sidestepped to the bar with your complimentary token. So here we are. It’s not even a survival of fittest thing, it’s just plain survival through sheer tenacity. We’re taking tentative steps back into the thrilling world of Dn lin has a s uly 2030 will mark the 300th edition of this STREET SMARTS b iov ything had gone to plan, wly theeing y closing in on our 150th i uess w, Tota y g m d i t from a lifetime o pin do n to ll fi f crOUR BEAUTIFUL LAUNDROMATS AT LASThs ant stuff you re CLOSE UPiazine. Oft . An ove vaa v y mag e city “What can I wish for you but happier days to make up for the crisis you came through with such resilience?” Derek Mahon* (1941 – 2020) I remember a Berlin pal telling me moons ago how they really preferred heading to Berghain around 7am on a Sunday morning. My mind was frazzled. This wasn’t necessarily a head there from somewhere else thing but rather a conscious decision to start their day clubbing with a new wave of arrivals. Plus it seemed to be an optimum time to avoid the legendary queues to get in. It was almost like clubbers coming off the subs bench as others flagged and the stamina of the first 1500 diminished. Last month, Dublin finally embraced modernity when it comes to our approach to clubbing and our night-time economy. The proposal to allow the few remaining club spaces we have to operate until 6am is a game-changer, in many respects. It treats adults as, erm, adults and allows them make choices about their night out rather wedging a pile-on experience into a few hours. We addressed this issue at our Night Moves event on Culture Night and in the mag last month. I joined mycologist Bill O’Dea recently on an expedition in Wicklow. Getting my brain around mycellium networks and how fungi acquires its nourishment by secreting digestive enzymes into their environment, and absorbing whatever is nearby: a rotten apple, an animal carcass, an old tree trunk. Bill pointed out the unseen damage being done to our soil by THE COLOUR OF BLOODnicognise as a fa er cerer ts a jt s wn photog ao the mulltitude of ways he touched those who admired him, as a rock’n’ro l star, a Music imenttal musician, influence of his arttiisttry was visible in the mu titude of ways he touched those pop visionary, an experimen a LETTING GO Art LETTING GOy, an exper Art Music aborattor and an icon o 52 course, if Rrapnsg ession, impossible tsible to pin down to a b ne defining moment froy thr ugoet h fe ur or STREET SMARTS vt t u ya h t’s only the e would t distaere v y first oou recog ening, I f et in the heart of I’ve had the idea of visiting some of the remaining laundromats in the city, for a number of years now, but never really got round to it. Partially inspired by a story on This American Life where they documented 24 hours in a Chicago diner called the Golden Apple, the idea was to literally hang out in them and just wait and see who dropped by. Photographer Malcolm McGettigan and I started out on this quest back in April and concluded it in the middle of July. Like everything else, we’d like to have staked places out for I’ e kno ble of w rdhe legaclé in ts, ty evgh Soden f d imovem er now. Back in the dar vaanny as they tr ut nemilbler rle a fres s a je cos o e Acid Gr o d tk r C aund imoves.yges. b h We are drd ft har n weteps in. A Ynd wh t yd, down Th nk yj ioning a ned by those who ha e of the weight of lif ver e eratture e. w Eve it’s at and those pushing it f e ac ho we spo herlent sounds dei And wofh Totva. It is also, most impor et xorts v s turtine tin e doesn’ l sdiy on Thursdaf hamets older, they inw visiting wh up markets are packing up their stalls after a decade in Newmarket Square. Again the power lies in the hands of the Council to see if a balance can be struck or will they just allow developers to throw a Starbucks in? And the forthcoming closure of District 8 which features Watching the charming documentary Young Plato (see Cinema) which is released later this month, a class of primary school boys in Ardoyne, in Belfast, are asked about the peace walls and their understanding of Catholics and Protestants. An astute young fella, despairing of division and conflict, denounces the stupidity of it all by simply saying, “We all bleed the same colour.” Those words rang true when thinking about the unfolding humanitarian crisis and utter destruction being wreaked upon innocent civilians in Ukraine, by the actions of a ruthless despot wielding unfettered power since the start of this century. It has shrouded what should have been a joyful post-pandemic time of freedom for many with a profound sadness. It is beyond heart-breaking to witness the the senseless brutality of it all and we encourage you to make a donation to a reputable charity and try support a sovereign nation whose democratic rights are being crushed on our continent. Everything else pales this month. But we are still immensely GRAND DESIGNS Right 2019, let’s be ‘avin ya! Dramatic resolutions be gone, it’s really all about the incremental changes for these are the ones you might stick with and see snowball into actual change. We tap into a cast of 19 creatives who we admire and get them to share their 2018 highlights, their hopes for 2019 and their own heroes. It makes you appreciate that Dublin is really a town and we all lean, rather than trample, on each other to accrue the success we desire. And it’s all about setting aside some personal time where possible to pursue something for yourself. Brendan Duffy tapped us up with his fantastic ‘personal portrait project’ on some of the ukulele players who gather in the Stag’s Head every Tuesday. Ross Killeen realised his fantastic short film 99 Problems outside the daily staple of producing and directing ads for clients. It’s always good to have something filed under ‘for me’ which ultimately garners more satisfaction, well being and sometimes, attention in the right quarters. We look forward to you sharing your ‘for me’ ideas with us. LIBRARY STREETSTHE COLOUR OF BLOODeg marl ollowed the sonic trolly o b as ow umber of oears no yhuga h s a falub in Naga ember GRAND DESIGNS Right 2019, let’s be ‘avin ya! Dramatic resolutions be gone, it’s really all about the incremental changes for these are the ones you might stick with and see snowball into actual change. We tap into a cast of 19 creatives who we admire and get them to share their 2018 highlights, their hopes for 2019 and their own heroes. It makes you appreciate that Dublin is really a town and we all lean, rather than trample, on each other to accrue the success we desire. And it’s all about setting aside some personal time where possible to pursue something for yourself. Brendan Duffy tapped us up with his fantastic ‘personal portrait project’ on some of the ukulele players who gather in the Stag’s Head every Tuesday. Ross Killeen realised his fantastic short film 99 Problems outside the daily staple of producing and directing ads for clients. It’s always good to have something filed under ‘for me’ which ultimately garners more satisfaction, well being and sometimes, attention in the right quarters. We look forward to you sharing your ‘for me’ ideas with us. AT LAST We known photog aStanding in the derelict Fruit ’n’ Veg marollo ed the sonic trolly w w lé in the S ohen I w ug wg twn South Studios with One of the true civic-minded delights in the city in recent times has been the development of our libraries. As someone who occasionally nips into Kevin Street to pick up copies for a book club (recent read and highly recommended is Kazou Ishiguro’s Klara and the Sun), I am always heart-warmed to see its multi-purpose use and wonderful refurbishment. Elsewhere, it seems we are getting our act together in terms of a value being placed on a public institution which can be enjoyed by everyone throughout the year. Of course, as a UNESCO city of literature we have reason to be embarrassed by not having a city centre public library fit for 21st century purpose. A few figures to consider in this regard: Bank of Ireland is set to spend €36m revamping their College Green location. The government exited its stake in the bank this September. Surely, a massive missed opportunity from a €4.7 billion bail-out was not to negotiate the return of the first purpose built Parliament House in the world? What we have now is the start of Phase One of the Parnell uppor y to an eerie silence. Built 130 young Plato (see Cinema) ny fahen a desig o maro. Bunty on wce at ydinown city, winding their wa er st fer the line ofd whis American Lif any fao avnd figing ourselves o rhy a stor n ssue, a r e ar roure re momenurl in IMMA? Hen fha dou . Th oun h eretroshats with a n , mostly fhehe?” Th e h g, heature bgo diner called her er nces o acao stenweeney wneae still immensely ffll lohih w le hrks o. It is alsobout talking to artist Niall o cayone so cMichael McDermotting th si have persisted throughout this dark period which we are hopefully emerging from, especially Sunil and Robbie from Give Us the Night who tirelessly championed the cause. Now we’re contemplating the possibilities around the rejuvenation of the few early houses which exist here. Chance(ry) would be a fine thing. It’s nice to be able to end a year on one high note. Once e a thcoming shower uut one yrI ra, ae being crushed on our continent. eat in a restaurd a w d with th up markets are packing up their stalls after a decade in Newmarket Square. Again the power lies in the hands of the Council to see if a balance can be struck or will they just allow developers to throw a Starbucks in? And the forthcoming closure of District 8 which features One of the true civic-minded delights in the city in recent times has been the development of our libraries. As someone who occasionally nips into Kevin Street to pick up copies for a book club (recent read and highly recommended is Kazou Ishiguro’s Klara and the Sun), I am always heart-warmed to see its multi-purpose use and wonderful refurbishment. Elsewhere, it seems we are getting our act together in terms of a value being placed on a public institution which can be enjoyed by everyone throughout the year. Of course, as a UNESCO city of literature we have reason to be embarrassed by not having a city centre public library fit for 21st century purpose. A few figures to consider in this regard: Bank of Ireland is set to spend €36m revamping their College Green location. The government exited its stake in the bank this September. Surely, a massive missed opportunity from a €4.7 billion bail-out was not to negotiate the return of the first purpose built Parliament House in the world? What we have now is the start of Phase One of the Parnell man ana e md teves oe et oer pyres v hat has been a truly Tld in y eet, past Christchurch, dots in liament Strong reasons. 2020 has es w nfidenn h as Brendan s Cafe and the Hacienda. It is an arocust fee this sense of going through the wringer with hhW one sanking out beats, loops and double takes frp ond Predicting the future giw ver the line ofen f eres othie they documented 24 hours in a Chica liament Strhool gi an aoy to an eerie silence. Built 130 yvat inrtaphers Sean &aphers Sean &ee ld in yerur h hll be te p eatiy al es f , hotels being de eloped hitectural delight and a rert. Ae pv nic behind and aroer commission. His glitch style drags normality beymithfield F aom ma egeta “Have you seen Patricia Hurl in IMMA? Have you been to Irish Gothic, her retrospective there?” These have become my go to lines with anyone I’ve bumped into over the last while. It’s like sharing what feels like a best kept secret and, in many ways, Hurl has been. Her last major solo show was in 1988 in the Temple Bar Gallery & Studios. I went down in March to see her work and was, admittedly, v sn hiw S n p vaanny as they tr o en ven wacur r botat rgesur haewtei y neer t nrresanav easonsvit remar c homas Stre immds ratw hotelses ong ry 2013, when we and stalg o ear, tn s r lendan s Cafe and the Hacienda. Ite ens arti ge cin . 2020 has t to their resting spot on Gr tavette as well as being a sounder on hand to kis ttic ger swagg e been an ad im hing his prd in s are. I fe l olution has been It’s summer and while we all await the showdown between Oppenheimer and Barbie (neither of which were available for advance screenings before we went to print), we have to make do with the popcorn fest that is ‘Saving Public Ryan’. Usually, everyone wants to attempt to switch off a bit and er way al thrang true w ard t icia H eps in. A ears ago nn tw o eswn P e m y sceet yh e smiled politely and sidestepped to the bar with ylhle Se, others haour s p egy & S ut still ance all haoe a stake in its future. In the ides he city f h be stakain. Even a minor ew fans. G a sonic jaunt crs tssasugated out on this quest back in An pher e propose our cotist in his oe o r s locer aga ts in 1988 in t ld Frui s p xistence and hog exper J e a stak s i n our cotist in his own right. I remember him showing me initialar sonic jaunt crd €3m developmenwn right. I remember him showing me initial ssur going through the wringrer withgradar s w ee-w . t what could be. In the meantime, people need rteminders oftond lert of Niadinludios.ler9 and Hulye all had I b Likent down in M ha At the star en ugphed into an in-demand photolmality beyllo Bpher ocus documented bbce ea ’s lwt mi heeling, batter e scen an and I starjf a co d intin in the Bet anhe Galgaluded it in the mid hors it. Time has blurred and rumpled, e’ve all felt glitched but there’s still hope and the ones we lo intervention suce countless fascinating stories to be told which wWe’r e bef vanticipated otan a bdlce an tto we s o s sins s ro ner. Watc es flo attan Bridge. I felt like a flâneur e this sense of gee-w et a d, in m n as and mrages from the pr t os aw whic h has become sswstet an idea of by the sight and sound. The city felt alial of er Lfain. Evn b p Jasmin Doyle and tasked her with checking out and blending into some of the innovators in our club scene. Collectives which are considering experiences attuned to our times, alert to the shifting needs and concerns of a generation hard done by in so many respects but still craving community, connection and escapism. She documents her journey in the magazine this month. complimentary tok’ho settled here. I wks, somewt thhat bemused ima es fryom the pr t n h i d I ipidation actually fits perfe ad of r’ ’l tb p , we sn aucor v ely needs – a decent else the city sorely needs – a decent emenbout the unfoldingpat e. l f nevanagut c. It ecos. Its a pero we s fun city needs to be pumping out. It f ver ne hf loeaked upon hen ask ldin t w aine, bbhgining moment with Nialler9. w he arf thi me e been talking to Culturl ld fre m - Ian Lamonte waar g exprer s san fisracvte minusas d of theen - Ian Lamonte waar et word like to hak and was, admitte op blo Those w eres w .h as this freain imcesn club space and the longecoggnition but still anchors it. Time has blurred and rumpled, parent or parents wt mhice tnv . o s art at tu es o d yor o eign fole mlk tradi ionhich has becomen Ladies & Gentlemen e all f ything else, w e ts saet to svaectly for something r gag etg re colour.” e w Jasmin Doyle and tasked her with checking out and blending into some of the innovators in our club scene. Collectives which are considering experiences attuned to our times, alert to the shifting needs and concerns of a generation hard done by in so many respects but still craving community, connection and escapism. She documents her journey in the magazine this month. ur t o e up toies. H ee her worvve a h f r’en a minor long . T k up a’y sn wetreaintgneore pownaitp wd antang a s wt So her elt gf shat they ar f sio , their sense of connection to Nig’he i h as this fuhen thinking at thertfaahnng a sop bacuge P n b erarc hicvh orur desig g fittest thing, it’s just and those w ds r oidesphing more powai uici be 100t er e ar enjoy a break of some sort. We’re no different at TD and thought what better way to take the stress off proofing copy than commissioning a number of Dublin-based illustrators to work to the brief of ‘Wish You Were Here’ – the bits of our city existence which we hold dear along with the shadow which casts a pall over our continued existence here. We hope you are game for hitching a free ride with us once w as part of enjoy a break of some sort. We’re no different at TD and thought what better way to take the stress off proofing copy than commissioning a number of Dublin-based illustrators to work to the brief of ‘Wish You Were Here’ – the bits of our city existence which we hold dear along with the shadow which casts a pall over our continued existence here. We hope you are game for hitching a free ride with us once h te’er f esh benn n t churen blown away. I’ve been back three times since and anticipate a few more before it ends. It’s a personal narrative of love and loss and life, one which is intrinsically wrapped into the narrative of this country. Canvasses which say so much and translate so freely, sketchbooks of observations and inner thoughts - the soul laid bare. Suburbia, marriage, church, state, sexuality, repression, freedom and hope are all evoked in powerful, moving and stunning work. There’s echoes of Bacon at times but Hurl is utterly unique in her own right because it is only her story to tell. It is a privilege to tell this tale in these pages, made all the more xperience or a music one, they ar y we ar e s o difo a soo mae wa le, their olur mk in Iack in I ald d f wmes real life connections and secondary tittle-tattle. We may never say no to an invite again, even a Budweiser one. In this issue we’re mixing past, present and future – gleaning insights from past editors and contributors who brought us to this moment from its inception in October 2004 whilst also delving into thoughts on the city from some of the people who keep it fizzing. And we have the buzz du jour, CMAT, gracing our cover as we discover more about her and the forces which surround her. br , o d deft t Ul . At ily the actions of d Luren We’ e been talking to Culturl despot wielding unf ufl bout ep b o muct s eathero lo eating oeure ma at mnf me – g mous rorepr utene of esoenance a ouounryssesa y w ny a t “halpd its ht hurning cityoom g a wffice ble? Chich is int insice cit a r pe oper exhibitiong a mherningf l m he biletterl in thi es kd up bein , the w ant to gi It has shrouded what should have been a joyful post-pandemicf to see this collection of a g and Bloomsdause” courld hich esonate 100 y g w ed pows perg an artow to eme sfler e can eng h hope 2021 will bequeath us, the vsa w ame the meerely aaaiting for either ‘acceptance’ or ‘endorsements’ frooude h erval tl t ms a wnoder w tiece of t bhtul lefid b t oae e s going to be difficult to r ures – a o g ou a f e Co og dinary. I don t know how that’av ofoveo her lt y through collaboration and self-e o did ak c urb of B e haalb ig t a so er me because w, gr useum andver missing, a celebration of DJs who ha e brought the scene toorces which surroundore ery ro w p oe pr infeer w hc iouua n tnner or ens face er ec b tierwa our Love Yourself Today, transformed this lax feeling. The intensity of the connection between him and his fans supersedes the normal live gig experience. As David Balfe says, “I was struck by how people seem to have these spiritual moments at your shows… Everybody is going to that, whether it is a religious experience or a music one, they are going to that carrying their own baggage, their own trauma and looking for a way to exorcise that.” Chatting to Ross, he also reminded me that as one gets older, they invariably carry more of the weight of life. Both Dempsey and Balfe are sonic healers in the truest sense, encouraging us to emote, embrace and let ourselves go. There are fewer more compelling reasons to be stoked about f time ofg freedom for many with a profound sadness. It is beyond or many people, it’ emely pri, the shared understanding seemsy lce h, stateturn to wely sho and ne g th t ibuilding, albeit fs ihed, “Wish oy fkee lines on Instas ot tlih wf che er w We’aningos yeahe buflie with, observll in thi es kg aw h ant to gi conte t ld fe ca le on his facek, wa leaning insights fr e t release. It truly is one of the most important films of our times – a masterpiece in understatement, underpinned by powerful performances, meticulously crafted direction and one of the most evocative soundscapes I have ever heard in a cinema. “You don’t need to speak Irish to feel it,” said one of the cast. It is both specific and universal. I found Gaeilge emerging from the recesses of my brain floating back every so gently. Hopefully you will encounter A Quiet Girl or an Acid ith sincere thanks to all contributors past and present,.e Night, Friday of others for a moment and we are very grateful to them and the participating spaces for their time. In particular, I’d like to thank Colm Bodkin for his assistance in helping us find Davy Little. month.ou become disillusioned,” saese paghe Artist. eligious oher ienher ermo.”dinar .”dinar to f Calve a od t y things ard Ni ller9 release. It truly is one of the most important films of our times – a masterpiece in understatement, underpinned by powerful performances, meticulously crafted direction and one of the most evocative soundscapes I have ever heard in a cinema. “You don’t need to speak Irish to feel it,” said one of the cast. It is both specific and universal. I found Gaeilge emerging from the recesses of my brain floating back every so gently. Hopefully you will encounter A Quiet Girl or an Acid Granny sometime soon also.urs now. of others for a moment and we are very grateful to them and the participating spaces for their time. In particular, I’d like to thank Colm Bodkin for his assistance in helping us find Davy Little. harity and trles and persuade ygan fant to go to a movie. Yt b hhat’s here and what’phose or y, thrhat’ s o o s muc e r er impactful by having her son Ken Doherty in the room(s) to help accentuate it. Do yourself a favour and go see Irish Gothic. e In other neyws, we’d like to welcome sister publication The,y l hiof impactful by having her son Ken Doherty in the room(s) to help accentuate it. Do yourself a favour and go see Irish Gothic. Htch dl urlub cultur proud of the original content we bring you as we enter a new century of our own existence. w people seem to ha oor a s w e it b ls hern ahead of er ant. Those or le in to wrh tt aupre ve ev d – differ erent perspecti ess bac ublinr bran n na en ever tch d lub culture doesn’ough Contemporeal sary on Thursda in Dublin Old School is yet another documentation of a city in flux and changes which give us as much cause for concern as hope. proud of the original content we bring you as we enter a new century of our own existence. as it is often per Goo to the scene. There’s never been a busier time for music scene as everyone emerges and returns. John Brereton and his team are on hand to capture the moment, steer you to the best there is and maybe see you left of the sound desk. We toast the sense of extraordinary this Christmas for we have lived, loved and lost in this landmark year. A heartfelt thanks to our contributors, stockists, advertisers and readers for sticking with us as we try and navigate towards better days. Square project which promises to deliver a new City Library at Parnell Square North by 2027. White water rafting fiasco distractions aside, this is most welcome but also long overdue. In the meantime, local libraries as documented in our lead feature by Michael Lanigan and Ste Murray will continue to play a pivotal role in fostering social exchange and providing a democratic third space for people. again, I wish to thank the tremendous team behind the magazine who bring insight, vibrancy and originality in abundance. We marked our 200th issue this year and are staying the course, against many odds. To our stockists, advertisers and you our readers, we remain ever so grateful for your support. Square project which promises to deliver a new City Library at Parnell Square North by 2027. White water rafting fiasco distractions aside, this is most welcome but also long overdue. In the meantime, local libraries as documented in our lead feature by Michael Lanigan and Ste Murray will continue to play a pivotal role in fostering social exchange and providing a democratic third space for people. given the rental market which has increased 68 per cent between 2010 and 2021, making it the third fastest rate across the EU27. “It’s quite infantilising to be still at home,” says Lauryn Creamer Nwadike. She uses her savings from doing so to spend the summer abroad, travelling to Berlin last year where she saw what it could and should be like. Needless to say, many of them see their potential futures lying elsewhere. given the rental market which has increased 68 per cent between 2010 and 2021, making it the third fastest rate across the EU27. “It’s quite infantilising to be still at home,” says Lauryn Creamer Nwadike. She uses her savings from doing so to spend the summer abroad, travelling to Berlin last year where she saw what it could and should be like. Needless to say, many of them see their potential futures lying elsewhere. again, I wish to thank the tremendous team behind the magazine who bring insight, vibrancy and originality in abundance. We marked our 200th issue this year and are staying the course, against many odds. To our stockists, advertisers and you our readers, we remain ever so grateful for your support. o thg trae festttiivat remain a boxd Cry Fl bobruary bice in wovmenomener p’s littleraet o cayone so c’olunteering westiova nn a di o eminded me that as, he also rn. W e a s as it is often perceived by those who have nes e ned Cross St PatricMichael McDermott s v e sonic healers in the truest sense, it. To ava, as we in Dublin Old School is yet another documentation of a city in flux and changes which give us as much cause for concern as hope. wn trauma and looking flas o tantly, open toy toor a wa h R er osssosues. to reconnect and a c to r y arains? cohat you’rm rom. Th t o res in a t w ahilst reconnect, tell us wleconnect and a chance to soak up the atmospherics ofin e f tm. Th t ones in art while up to and toast the light at thest o te l thi DJs who have brought the scene to f dinar ys E T e going to seemy things are going to seem prAv e…e gig eer ta’he Flekl min exctur acorrt, w w poy tioe these spiritual moments at your n. v ortueedoms. we not wy ovimee r t t e tsoeurrseat. S un vs owankly an epic thrilllt y bters aesentse e ma af miollen anny r yram”. a suitatb imious smi ed, “Wiough and simply hao elief ce o e f and newfound purpose and destiny. Acid Grs anusic me wy Clicim evheref hr e’rlw lifle mixing past, pr a ney, ske herd at thf obsa h o er sic ma y C yhat w ound purhat he called “thret? In t anny r nhbrate 100 y n it raietting out there and doing their thing as they carvt ima es in their pr y a” could e with, observ e Night for a wfer since the star eter , cr va esents fhe tything this city so badly needs - fun and subf ientions of w ep m n, fy se extr, ledra wom its inception in October 2004 w’ lorl ehilst also delving into ya the connection between him and his fans supersedes the with thanks to supports fr. I dony..om DCC and the Department ofthcoming show as part of g toIt w lo’sio s m as orunp in. Acrws thh aiver, the Fles eat in a r ie disco er more a unceead exeriousmous rorepr utne o xcts orvigin past editors and contribansfus ra h hi, is fr uble to es y bv s atciliren T tin , ts, c n the “weverl fil. Thithy l p , but essential thoughtlhowinle intervention in the city. Getting the keys to this en game at inht d aude hipose and destiny. Acid Gr ater e ees a ad it’s a wons th ue befo e h t tioy freel enor h hving a brok e, angve and be observed with fresh faceseter oolepu he wugd , bf oh yssesichaela, always weauin, w cen an writer PhotoIreland Festival and hopefully do them justice on our Culturers and talents ae a s I n L er pet at id io nloho did a. pr in.o her lt t k. Th. n expouvid Balfd io nloh ession. “I t times bht ile’mel i A osss muchh aer tou to make a donation to a red freedoms s nor s mer ah ws mainly a sense of ediscoo her ht H’s say no to an inlose and lar gen a Budweiser one. In this issueb e v y m e cl linkosses we eys p o phegevms – bem the nor Ld?reee imager and frustr’ation at the system b , movves ss I ted (Sk to her hbt er stci its t yre might ter ool Drablusing outliers, perha w how that’s going to lé bacor y!) b t i enAmal liv g wore theres ec oes oe sio e sasio k try!) btuuom fEt ts mon ts we hy suppor e suncreign nation wo ahead of its o t an finding a w g e ban exp an L n tn e useum and thoughts on the city frlring Seclé b r n tnt, wxpras struc ec a cer e narin, wew oper exhibition wnd h b h hurcn v e” oures – a ao g age” o n to wv lusi ely shoe we steps bactucl n oratn s arvor people taga re B ra etur oa o tnihamalitytien er erhaul of ce b ihh her considerand od los w e for people ion ble shfie vte minhte en comms channels – they are largest organisms on the planet after all which support and sustain nearly all living systems, the original world wide web. You don’t need to take mushrooms to have your mind blown about them. You can double down also, of course. w a y poapher ur hwts avd imh es floas oidene te ft thvoanic behind ptury Mark Hill’inept secry the Golden Ayne, in Belfast, are asked about the peace walls and ner pple, the idea was to literally hang out in themeels a h hs a e y nel ovt or, hotels being deivteloped t nrw i uarv co e my ghee. Teetfereo hat happened there though as we in oke the or ed out of South Studios with intensive farming reliant on chemicals. A simple example is when soil has been freshly tilled and, “there are no birds following the machine because there are no worms in the soil. If it is dead and has released all the carbon, it is no longer sequestering it.” Just like the secret life of trees, fungi has its own subterranean “What can I wish for you but happier days to make up for the crisis you came through with such resilience?” Derek Mahon* (1941 – 2020) Film MYCELLIUMho admired him, as a rock’n’rolll star, a Clubs Filml m sicia u Clubsn, Listings Festival Frenzy The Fringe, DEAF and Theatre Festivals Clubbing Toni Walsh – 25 years of Dublin Clubbing Listings The Fringe, DEAF and Theatre Festivals Clubbing Toni Walsh – 25 years of Dublin Clubbing Hae p th pprk itn the far! est star Festival Frenzy Wig InCentral H oom empty? RIt’rs for charideeeShe trnteMindFuzzt if Dublin had loved its little lanes Pillar t o yap Wabi-Sabi time She’Cens a models yy City Screl12 What yser Burnt Out ra 12 Br s y J enus out ayse Girl RockOfficer Rot takes MindF The Fr ar 14 Night Out Feet on the floor Terminal T neerminal Oose T SPhotoI s lats 08 ROADMAP Sweet Treats 08 RO Flâneurts on time22 Body & Soultoo For Those I (LHiberna Moderna al 14 Patron Saints The Irish-Nigerian creatives Terminal T ne R , flight’ 12 In The Frame Daragh Soden Dublin Chapter had a national park? 14 Design 14 Night Out Feet on the floor 14 Acid Granny Loop and Hook 24 F ear 16 Hemlines Class focus 12 WHAT IF Access All Areas 12 WHAT IF Access All Areas 20 Design 19 for ‘19 34 Barfly All Good 24 F 28 F 34 Barfly All Good 24 Niall Staines Glitches 28 Take This! Bassam Al-Sabah 34 Digested Digest Show me the dough ears o 14 NICE GAFF Fruit and Veg 14 NICE GAFF Fruit and Veg Green EFeflections Head pieco Thirty three and a third Head piecd 24 Fashion New Horizons 30 99 Problems Put a flake in it Opinionat 24 Fashion Disjecta Membra 36 Gastr 20 Design 19 for ‘19 ForBriany 18 Garb Here Thirty three and a third Hesign Yare36 Gastrd38 Gastro36 Gastre Show me the doughScaíltín ed Monster Balloon Massacre orBriany ons 18 Garb 24 Fashion Disject 34 Barfly Fidelity High 34 Digested Digest The menu Opinionat 30 99 Problems Put a flake in it 24 Niall Staines Glitches 28 Take This! Bassam Al-Sabah 16 Design Shane Griffin come home for a visit Runa tunes For Those I (LHeart-shaped mind and cutting-y 175 y ashion soul al visions26 Fal visions175 years of illustration Rredefining ‘fNeemen Rredefining ‘f Design Yar 24 Design The Dining Experience 14 Daragh Soden All the world’s a stage Twilift 14 Moore Street Whither next? 22 Grand Stuff Putting a label on it 34 Digested Digest Dinner and a show Carb Parks 31 IPUT’s Living Canvas Art and the city 34 Barfly Fidelity High 36 Bitesize An Ethiopian Supper Club 34 Digested Digest The menu 28 Fashion Nativity Play 16 Design Shane Griffin come home for a visit Sounds Around 34 Digested Digest What’s fermenepo eemen ere 16 DESIGN Not that type of player 16 DESIGN Not that type of player 28 Fashion Nativity Play 36 Gastr 38 Fashion Persona 18 GARB Change of Mind Form 18 GARB Change of Mind Form Don’oot kill my vibe When Howth cown 38 Bitesize 36 Gastro The Full Brazilian 40 Barfly Windjammed 22 MELTYBRAINS? Cerebral Haemorrhage 22 MELTYBRAINS? Cerebral Haemorrhage Getting Swicy with it 40 Barfly 36 Gastro Neighbourfood 40 Barfly The Gathered TableBest bench in t omes to town 34 Digested Digest Where the wild garlic grows 38 Bitesize SinovJes do ox 34 Digested Digest Butter me up 38 Bitesize 22 Cian Nugent Rock’n’Roll Singer Click and Collect When Howth cown 30 Uhh Yeah Dude Seatbelts 28 Refugees Redrawing Borders Hogget Scrumpet 40 Barfly 40 Barfly Windjammed 30 Ulysses Rare Prints Boo s 40 Barfly Wine Time 38 Bitesize Spatched! 40 Barfly Wine Time Delusions o v 44 Audio Ugly Season 28 DAY OF THE DEAD Cempasúchil in bloom 28 DAY OF THE DEAD Cempasúchil in bloom 42 Susan Howe The body of an American 44 Sounds Good eadly Deadlianseadly Deadlians 40 Digested Digest Bubble up 38 Bitesize Spatched! 38 Fashion Paeonia 44 Bitesize Griolladh tactics 40 Barfly All My Friends 46 Loose Ruan van Vliet 48 Print A quiet joy 50 Ar 44 Audio All Smiles 40 MENSWEAR The Local 40 MENSWEAR The Local 52 Gastro Pizza cake 50 Ar 34 SYRIAS VIBES Postcards from the Edge 34 SYRIAS VIBES Postcards from the Edge 48 A Flea Thing Markets move on 52 Barfly Huckleberry Grim 46 Magnified 44 Bitesize Griolladh tactics 46 Print Political defects 50 Artsdesk The 191st 44 Audio Meltsdown 42 Bitesize Meltdown 46 Loose Ruan van Vliet 44 Audio Ugly Season 60 Gastro Oceanic sex 48 Print A quiet joy 44 Audio All Smiles 44 Audio Meltsdown 52 Gastro Pizza cake 48 Ar 46 Print Political defects 50 Artsdesk The 191st 42 Bitesize Meltdown SevenSevenundalk rene 60 Gastro Oceanic sex 64 Soundbite Nourish 50 Cinema’50 Cinema ocket Rock 62 Games Playtime 60 GASTRO Hotel Y 56 Audio Time Please ess is More 72 Games Puzzlebobble Fusion Sunda 56 Audio Time Please Na 70 GAMES End of Level Boss DovNahocativ52 Pr orm pp es 70 GAMES End of Level Boss 72 Print Night Train 72 Print Night Train Spirited Away Insight and D 72 ARTSDESK White Swan Insight and D The F Nothing vDo itNothing v2021-2031 en 74 DUBLIN GALLERY MAP Art Attack 70 Sound Changing Time 76 PRINT Unabridged and unsaid 76 Listings The A-Z 76 PRINT Unabridged and unsaid Sarahmay W 76 Film Dublin Old School Bee thereBee there 74 DUBLIN GALLERY MAP Art Attack 76 Film Kaurismäki’s swansong 58 Magnified 2021-2031 56 Design The music video ape o 72 ARTSDESK White Swan 76 Film Beautiful Boy 78 Sound Anna Mieke 72 Print Motherhood 78 Sound Anna Mieke C 78 FILM Othered Voices 80 Audio 78 Sound Roe 78 FILM Othered Voices 78 Sound Roe 72 Games The Ringed City 76 Film Beautiful Boy 70 Sound Changing Time 76 Listings The A-Z 72 Print Motherhood 72 Games The Ringed City AAA 76 Film An amoral romp 78 Sound Not so nautical 78 Sound Not so nautical 76 Film An amoral romp 80 Audio Some Rap Songs 58 Magnified Gamer Talk 58 Magnified Californian chills Gamer Talk tured… The multiplicity o 60 Interview We Love Markets 76 Film Dublin Old School 78 Recognition Margaret Clarke 84 Listings All that’s fit to list 92 Interview David Keegan 80 Audio Dickless cock rock 84 Listings What’s going on? 60 Interview We Love Markets 78 Recognition Margaret Clarke 80 Audio Some Rap Songs 84 Listings All that’s fit to list 92 Interview David Keegan 80 Audio Dickless cock rock 84 Listings What’s going on? 74 Print Refugees and an Idiot 76 Film Kaurismäki’s swansong 74 Print Refugees and an Idiot 80 Sound 72 Print Virgin and other stories 72 Print Virgin and other stories t? When? 80 Laoise The sound of Galway 80 SOUND The Gunn-slinger 80 SOUND The Gunn-slinger 80 Audio Melancholic maturity 80 Audio Melancholic maturity 82 Audio The best work in years 84 LISTINGS The whole shebang 84 LISTINGS The whole shebang 82 Audio The best work in years 78 Film Darth Vader on tenor sax 61 Interview Breathing Space esse in Venice Eaten 60 GASTRO Hotel Y 56 Design Unform Provoca 56 Design 56 Design 54 Audio Gratification 54 Audio Gratification 56 Design Design Opp 72 Games Puzzlebobble 62 Games Playtime 52 BARFLY Cure for Pain 52 BARFLY Cure for Pain 50 Cinema Mastications Dirty tsdesk Enc et Rockes 50 Cinema Mastications 54 Sound Personal History The time is Bao 48 Artsdesk Grand Grad on 70 Artsdesk Warpaint 60 Listings Let’s go inside 57 Interview Fallow wreaths 68 Magnified Good Trouble 50 Cinema Blue suede boos 50 Cinema Blue suede boos 70 Artsdesk Warpaint 60 Listings Let’s go inside 57 Interview Fallow wreaths 58 Magnified Mag Culture 52 Barfly Huckleberry Grim Dffortless 64 Soundbite Nourish 68 Magnified Good Trouble 58 Magnified Mag Culture 42 Sound Ploughing forward 42 Sound Ploughing forward 52 Sound Working out things 48 Artsdesk Cross-pollinating 64 Artsdesk Survey the scene 68 Magnified Racquet 61 Interview Breathing Space 48 Artsdesk Cross-pollinating 64 Artsdesk Survey the scene 52 Sound Working out things 42 Sounds Good SOAKing it up 50 Conversation Sally Rooney 48 A Flea Thing Markets move on Housing Thoughts Exposed brick FTW 50 Conversation Sally Rooney 44 Sound “We’re just from Cork” 44 Sounds Good Embrace the illusion 38 It’s Me That retro look 50 Cinema PockE sembly lineGr ompasist62 Gastro60 Gastro 62 Gastro Hearth ledger 52 Print52 Print52 Print 52 Barfly Sniff and scram 52 Barfly Sniff and scram 60 Gastroetw An th ledger Collar of GoldCollar of Gold 56 Design ys 38 It’s Me That retro look 44 Sound “We’re just from Cork” 48 Artsdesk Visiting Artists 44 Sounds Good Embrace the illusion M ound the housesHousing Thoughts 54 Barfly t rejoinder An eloquenacked mirr Society’s cr 60 Gastro Wonton in Old Town 52 Print The stink of America FacLusion Sundays Bungalo -mirrBungalow-mirrThe trickw Blis turesa Laceless whispers 50 Cinemaor o 64 Soundbite 52 Print A vibrant tapestry 68 Film Drive-In Saturday 52 Print A vibrant tapestry 68 Film Drive-In Saturday 52 Print Muted Radicalism 56 Design The music video 52 Print Muted Radicalism esse in Venice 50 Cinemas 64 Soundbite 68 Magnified Racquet 74 Artsdesk Pixels of doom 70 Artage conc The w esCliff not elands o70 Artsdesk 64 Soundbite DropChef 74 Artsdesk Pixels of doom J 58 Magnified Eaten 64 Soundbite DropChef 42 Sounds Good Honeycomb delights 42 Sound Bad with numbers 46 OTT Wrestling In the ring 44 Sounds Good Idiot Check 42 Sounds Good A technicolour sequel ugazi meets Mingus. 42 Sounds Good A technicolour sequel 40 Digested Digest Bubble up 42 Sounds Good Honeycomb delights Delusions of Grandeur 40 Barfly I can see claret now 44 Sounds Good 40 Barfly I can see claret now 42 Sounds Good 42 Sounds Good SOAKing it up 40 Boss Fight Books Cheat Sheets 42 Susan Howe The body of an American 42 Sounds Good The Dundalk ren 46 Magnified 46 OTT Wrestling In the ring 38 Fashion Shoot Boxing Clever Effrill, drone, and t 38 Fashion Shoot Boxing Clever ortless. 44 Sounds Good An irresistible pop star 44 Barfly Gritty Urban Sophisticates Eugazi meets MingusIdiot CheckFine bone chinaFine bone china echno 48 Artsdesk48 Artsdesk48 Artsdesk 44 Barfly Gritty Urban Sophisticates Around the housesAry murderSociety’der t rAn eloquen ejoinderor 54 Barflyous fucking dog Couldn’, filthy, r, filthy, reach-around Eersembly linevand Grad es 54 Audio Houseplants need water 52 Sound Emperor’s new clothes 52 Sound Emperor’s new clothes The stink of Americ yth F 50 Irish Gift Guide Support supporters 74 Print The Doll’s Alphabet My murs cracked mirror 52 Barfly 52 Barflyous fucking dog Exposed brick FTW 48 Artsdesk Encompassing perspective 36 Gastro Neighbourfood The Black Fox Sino-v apanese jingle bells Guess who’Best bench in t 38 Bitesize 30 Uhh Yeah Dude Seatbelts 30 Dublin Old School Settle petal 40 Gastrgo36 Gastro40 Gastro38 Gastr s back?36 Gastro 38 Bitesize 30 Ulysses Rare Prints The BJlack Fwn omes to town 40 Barfly Babetsotion 44 Ukes of Hazzard Strung out 30 Dance Festival Spaced Out Click and Collect The Gathers back? 30 Dublin Old School Settle petal DoventBabettotion 28 Refugees Redrawing Borders ial it up wn 42 Barfly For Pete’s sake 42 Bitesize Bread and Tea 42 Bitesize Bread and Tea 42 Barfly For Pete’s sake Holl SocietyKare Pe’s Feast 34 Chairlift Moth to a Flame 38 Fashion Paeonia 44 Ukes of Hazzard Strung out 38 Bitesize Hawksmoor in-coming 30 Dance Festival Spaced Out 38 Bitesize Getting Swicy with it 40 Digested Digest Bitter symphony Loll SocietyLarwksmoor in- oming 42 Soundttyle in the City 40 Digested Digest Bitter symphony 36 Brand New Retro History Lesson, Pt. 2 42 Soundtay out of the woods y Friendsene 50 Passing Through Julia Holter 50 Passing Through Julia Holter 40 Boss Fight Books Cheat Sheets 36 Brand New Retro History Lesson, Pt. 2 The Dth heaf Grandeur All M th heaven gadeBad with numbersgade 40 Bitesize Bar Pez 34 Chairlift Moth to a Flame 40 Barfly Carb ParksWhat’s f ed Nting?-Bab Lreasons t et Town Lreasons t P eservingo be cheerful y 22 Market Tting?-Bab 40 Bitesize Bar Pez 42 Sound Martello Power 18 Garb - But Marked N wermenowner me up epo 38 Gastr 22 Cian Nugent Rock’n’Roll Singer 38 Fashion Persona 38 Gastro A portentous twinge 31 IPUT’s Living Canvas Art and the city 22 Running for their Lives Midfield general Your summer mixFruit & Veo on es do ed Table 34 Digested Digest Where the wild garlic grows 38 Gastr 22t Sounds Around y Your summer mixFruit & Veg 22 Running for their Lives Midfield general 22 Liberties Next Craning for a view of the new Guess who’apanese jingle bells The Full Brazilian Ralph’zy Baked Brunch With Your Buds Booe Pe’s Feastap 44 Something About Mary A presidential encounter Drill, drone, and techno 46 Shoot The Problem with Strangers 44 Sounds Good More existentialism, less cheekiness R inner and a sho Duna tunes P eservingo be cheerful 18 Garb 20 Culture Night A taster iberna Moderna 16 Design Spiels on wheels’ear Old Dublin Long Mile Works 22 Grand Stuff Putting a label on it 20 Culture Night A taster 24 Design The Dining Experience 16 Dublin 2020 Reflections on the year 28 Fashion24 Fashion 18 Garb 20 Opening the Gates Riding side saddle 22 Body & Soultoo Ueet Ts la th Circular 100 not out 26 F 24 200 issues later24 200 issues later eflections 34 Digested Digest Green EScaíltín ed Monster 16 Dublin 2020 Reflections on the year FestivFestiv 20 Opening the Gates PhotoIreland Festival 22 Liberties Next Craning for a view of the new Dial it up Hogget Scrumpet’oot kill my vibe 22 The xx Slightly bigger, slightly bolder 34 Bear Necessities38 Tourist Tr c 34 Bear Necessities38 Tourist Trap 40 Barfly The Tempo of Thomas Street 22 The xx Slightly bigger, slightly bolder DovenKaRalph’zy Baked Brunch With Your Buds Style in the CityS ay out of the woods Babes without BeersBabes without Beers 28 Not Another Agency A look at the new model army 42 Sound Third generation Navan-wave 46 Shoot The Problem with Strangers 54 Sounde a Flying Duck Cinematic gloCinemaytic gloAlong for the ride 34 A Different View A preview of the film festival 44 Something About Mary A presidential encounter 44 Sounds Good More existentialism, less cheekiness 48 Print Beautiful, stark, thought-provoking Along for the rideA pluck , imaginative calling card Antoinette Gonzalès 42 Sound Third generation Navan-wave 46 PhotoIreland Festival Junior Boys Dirty tsdesk48 Ar t giv each-around Pv sonal Hsing perspective 54 Audio Houseplants need water The time is Bao own 48 Magnified The font of all knowledge 46 Barfly The old fashioned approach 48 Magnified The font of all knowledge 50 Setting the Scene Voice of Youth 52 Print Patrick “Kitten” Braden 64 48 Hours Spent in London 64 48 Hours Spent in London A vintage c66 P tiv oncept JSpirited A a 58 Artsdesk Geometric Forms A vin tsdeskept The wast 46 Barfly The old fashioned approach 46 PhotoIreland Festival Junior Boys 48 Print Beautiful, stark, thought-provoking Couldnt give a Flying Duck Asa Carola Jeanne EmmanuelaLiving picturetw Asa Carola Jeanne EmmanuelaLiving pictur ory H toinette Gonzalès The destructivse urges of men eless whispers Queasily moreishf youth Cliff not elands oast w y 50 Irish Gift Guide Support supporters 56 Cinema A directorial star is born 58 Magnified 56 Designefianc56 Designefianc Mixtape of memories Redhead or Dead e Mixt emale Gaze Queasily moreishf youth 58 Magnified Redhead or Dead e ChutneyChutney f memories 56 Cinema A directorial star is born The destructive urges of menf myth Platform departures Platform deparf despairing characters Fess is More 14 Nice Gaff Busáras 14 Brand New Retro The Specials and the Beat Rain, rain go a Dublin… 14 Hive City Legacy14 Hive City Legacy had a national park?op your guar ay 14 Design Serving Superser Dain, rain go aw ummer illustr Twiliften 16 Hemlines Class focus 14 Acid Granny Loop and Hook Spiels on wheels 14 Nice Gaff14 Nice Gaff Dublin Chapter Shanzen14 Bron14 Bron t Cry 14 Moore Street Whither next? 14 Irish Gothic Patricia Hurl’s art 24 T 14 Patron Saints The Irish-Nigerian creatives 14 Daragh Soden All the world’s a stage 14 Irish Gothic Patricia Hurl’s art Girls Dand New RGirls Dand New Retro Long Mile Workserminal Oose Ta 24 The Meeting Riding side saddle 22 Youth Stylish and natural 24 F ADMAPa 66 yown Girl66 y wn Girlptot- ea ter ovcular 34 Digested Digest 18 Garb estival food’ 16 Design Paddle your own Fjord ew Horiz 16 Design Paddle your own Fjord 28 Travel Companion All aboard 22 Youth Stylish and natural 14 Nice Gaff Busáras 12 What ifo Dublinw16 CMAT 16 Tashion26 The Rw 16 Tashion, flight’ 12 What ifo Dublin16 CMATon the N Meeting 22 Liberty Market Everything under one roof 28 Travel Companion All aboard 34 Digested Digest Every three breaths you take 12 In The Frame Beyond Drifting HindesighDublin 1985 If 10 In The Frame Ma s oPillar oadw8 RoadmapVenus Fly TPendanf SocietyLimbsoadw tr ock 08 Roadmap Coral Relief Bay City Scrapbook Dublin 1985Turviving ChristmasBlue Monda , 1983 The Ar f Meath S W ureenf S ength J8 Roadmapiew H y ean alph 08 Roadmap Sinking Feeling Serving S ot I Soo Lateuper12 What y10 Wha If Voebbed Goryse Webbed Goro ureen190 Br t oBurnt OyceanDemolished View 12 In The Frame Beyond Drifting 12 Whaot ame op your guardway 08 Roadmap A career pinnacle 14 Root to Fruit A toadstool story 08 Roadmap A career pinnacle - bacy Nte uige Yeold Magen issue 216 206 210 212 172 14 Leabarlann Puiblide Open doors 14 My Beautiful Laundromat Stories from the floor Shanz 14 Leabarlann Puiblide Open doors 209 196 ShiotanisolationSpaceSushiThem a1000 tr aves Pirate RSpice Bag Connoisseurs 10 In The Frame Demolished VVenus ot and GoldGood F f Strength 10 In The Frrame 190 Br f Society10 In The Frame Uptear eland Festiv16 Designton the Norerorth Cire) Yourself Todaedge Think on it 201 200 205 203 204 28 Not Another Agency A look at the new model army 34 A Different View A preview of the film festival Fashion Editor Sinéad O’Reilly sineadroisinoreilly@gmail.com Music Editor lahonorfitzsimons@gmail. +44 75 989 73866 Michael McDermott Art Diritzsimons Honor F v lauror@tot Fashion Editor Sinéad O’Reilly sineadroisinoreilly@gmail.com Michael McDermott editor@totallydublin.ie (01) 687 0695 Luke Warde +49 176 8549 7666 +49 176 8549 7666 Lauren Kavanagh Literary Editor Diarmuid McGreal Art Direction com ary Editor Liter Luke Warde L e Warde Arts Editor Stephen Moloney artsdesk@totallydublin.ie Michael McDermott editor@totallydublin.ie (01) 687 0695 L ure W de & Design Lauren Kavanagh laurenekavanagh@gmail.com +44 75 989 73866 & Design WEditor & Web Editor la urLa enekaaanagh@gmail. ection Michael McDermott artsdesk@tallydublin.ie Art Direction Art Direction Art Direction Art Direction editor@t Editor (01) 687 0695 Editor ps@hkm.se editor@tot Art Direction Art Direction Art Direction editor@tot Art Direction & Design Michael McDermot Michael McDermot Michael McDermottt editor@totally Aidan WallAidan Wall Banned mobile phones in public spacesBanned mobile phones in public spaces 100 not out 16 Design ove) Yourself Todaedge Think on itf illustration 34 Digested Digest 18 Garb estival food’ Balloon Massacraa Membre 38 Gastro w earrshaped mind and cutting-y soul Editorial Director Peter Steen-Christensen ps@hkm.se 14 Wish You Were Here Summer illustrations Durviving Christmas’s a model Dublin… r agh Soden d 12 InIt’s for charideeeBa our ballrWig I al H oom empty?10 What apbook 12 Wha Soo Lauzzt if Dublin 14 Brand New Retro The Specials and the Beat 14 Wish Yautiful Laundr14 My Beou Were Stories from the floorear Old Dublin had loved its little lanes Hereomat 14 Nice Gaff14 Nice Gaf’t Cryaftionsetro 26 The Flâneurts on time Editorial Director Peter Steen-Christensen ps@hkm.se Publisher and Advertising Stefan Hallenius stefan@hkm.ie (01) 687 0695 087 327 1732 S efan H allenius tisingt (01) 687 0695 (01) 687 0695 S efan@hkm.iestt an@hkm.ie stublisher and (01) 687 0695 Peter Steenps@hkm.se ps@hkm.se Publisher and Advertising Stefan Hallenius stefan@hkm.ie (01) 687 0695 087 327 1732 (01) 687 0695 Advertising Stefan Het an Hallenius La an@hkm.ie (01) 687 0695 01 676 6686 Editor & Web Editor Ian Lamont editor@totallydublin.ie (01) 687 0695 Editor & Web Editor Ian Lamont editor@totallydublin.ie (01) 687 0695 Publisher and Advertising Stefan Hallenius stefan@hkm.ie (01) 687 0695 087 327 1732 Publisher and Advertising Stefan Hallenius stefan@hkm.ie (01) 687 0695 087 327 1732 ps@hkm.se 087 327 17 (01) 687 0695 Editor WEditort v Editor &32 Editor Michael McDermott editor@totallydublin.ie Michael McD Art Direction La urenekavanagh@gmail.com laurenekavanagh@gmail. om Michael McDermott editor@totallydublin.ie (01) 687 0695 Lauren KavEditor & anagh la urLauren Kavanagh Art Diraection +49 176 8549 7666 +49 176 8549 7666 & Design Luke Warde Film EditorFilm EditorLuke Warde print@tot Diarmuid McGreal +49 176 8549 7666 Art Direction +49 176 8549 7666 Diarmuid McGreal +49 0176 8549 7666 +49 0176 8549 7666 & Design Diarmuid McGreal print@totallydublin.ie uk print@tarally Oisín Murphy-H film@t ot anaghavanagh mm@hkm.ie eb Editor Film Editor Oisín Murphy-Hall film@totallydublin.ie Rachel Donnelly Film EditorK tsdesk@tot mm@hkm.ie Film Editor Oisín Murphy-Hall film@totallydublin.ie Martina Mecutives Kevin GibbonsKevin Gibbonsy +44 75 989 73866+44 75 989 73866 Martina Murray Martina Murray mm@hkm.ie Literary Editor Gill Moore Literary Editor Gill Moore 50 Cinema A plucky, imaginative calling card Wearton in Old TPineapple toppingPineapple topping A patch ork oThe trickw Blisor of m Uesign OPnfh rint52 Print e exaggerationse exaggerations 66 P 74 Print The Doll’s Alphabet print@totallydublin.ieSales Executives085 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What? When? Where? Jingle Bells 76 Print There was no ‘main’ Beatle 54 Who? What? When? Where? Jingle Bells 54 Who? What? When? Where? New Year resolutions 60 Who? What? When? Where? Do it e inadverttently included 54 Gastro Casual dining north of the Liffey 54 Through the Lens Unusual Gestures 54 Who? What? When? Where? New Year resolutions 58 Artsdesk Geometric Forms 68 Games A pope-ularity contest 58 Magnified Left Cultures 68 Games A pope-ularity contest The Female Gaze 76 Print There was no ‘main’ Beatle 78 Film Darth Vader on tenor sax 70 Artsdesk Gross, elegant, surreal, minimal, tactile 70 Artsdesk Gross, elegant, surreal, minimal, tactile Admissionentured… Californian chills f Arabian culture 80 Sound Sttory, 195), wory, 195), we inadver ently included NowNow print@totallydublin.ieSales Executives085 869 7078 Sinéad O’Reilly 085 851 9113 eilly Kamil Zokamil Zok Web Editor Martina Murray mm@hkm.ie al@hkm.ie 085 851 9113 mm@hkm.ie mm@hkm.ie kg@hkm.ie kg@hkm.ie kg@hkm.ie Kamil Zok Karl Ho er Martina Murra Aidan Loner Aidan Loner al@hkm.ie Martina Murra kg@hkm.ie kg@hkm.ie kamil@hkm.ie Film EditorKarl Ho er kg@hkm.ie kamil@hkm.iefkamil@hkm.ie 085 869 7078085 869 7078085 869 7078y Al Keegan ak@hkm.ie 085 8519112 kamil@hkm.ie Al Keegan ak@hkm.ie 085 8519112 60 Who? What? When? Where? Admission 70 Artsdesk Queer desire and public space 60 Who? What? When?60 Who? Wha In our last issue (Cover Swing out Sisterwing out Sister the wrong contact details for one our eatured book designers.. her wonderful portfolio of work at sarahmaywilkinson.com Casual equine endeavours 84 Who?What?When?Where? Paper it the wrong contact details for one our f featured book designers 84 Who?What?When?Where? Re-emerge ness, and we ask all of y 80 Audio 80 Laoise The sound of Galway sarahmaywilkinson.com orgiveness, and we ask all of you to seek outou to seek out her wonderful portfolio of work at 84 Who?What?When?Where? Re-emerge Corrections:orrections: In our last issue (Cover Where? Where? 70 Artsdesk Queer desire and public space The multiplicity of Arabian culture 60 Who? What? When? Where? 58 Magnified 60 Who? What? When? Where? Experience 60 Who? What? When? Where? AAA 60 Who? What? When? Where? 58 Magnified 60 Who? What? When? Where? Go. 76 Film An unnecessary Trainspotting sequel 76 Film An unnecessary Trainspotting sequel Sarahmay Wilkinson, we seek filkinson, we seek forgiveCasual equine endeavours 84 Who?What?When?Where? Paper it 84 Listings Check-ch-check-check-check-chcheck it out 84 Listings Check-ch-check-check-check-chcheck it out 84 Listings Where do you think you’re going? 84 Listings Where do you think you’re going? 60 Who? What? When? Where? Go. Trevor Hull th@hkm.ie 085 881 2169 Trevor Hull th@hkm.ie 085 881 2169 kamil@hkm.ie Distribution Kamil Zok kamil@hkm.ie Web Editor Martina Murray mm@hkm.ie Kevin Gibbons all kg@hkm.ie ykg@hkm.ie gankg@hkm.ie gankg@hkm.ie y film@t Web Editor Martina Murray mm@hkm.ie Web Editor Martina Murray mm@hkm.ie Kevin GibbonsKevin Gibbonsy arevin GibbonsKevin Gibbonsy Sales Executives Kevin Gibbons kg@hkm.ie 085 869 7078 Kamil Zok Sales Executives Kevin Gibbons kg@hkm.ie 085 869 7078 Kevin GibbonsKevin Gibbons sineadroisinoreilly Web Editor Martina Murray mm@hkm.ie Mauricio Ortiz ortiz@hkm.ie 087 6305788 Mauricio Ortiz ortiz@hkm.ie 087 6305788 Kamil Zokamil Zok kg@hkm.ie kg@hkm.ie print@tot Nicola Cross nc@hkm.ie 085-2524449 kg@hkm.ie kg@hkm.ie Nicola Cross nc@hkm.ie 085-2524449 Kamil Zok078 085 869 7078 Kevin Gibbons Distribution Kamil Zok kamil@hkm.ie Web Editor Martina Murray mm@hkm.ie Web Editor Martina Murray mm@hkm.ie Distribution Kamil Zok kamil@hkm.ie Distribution Kamil Zok kamil@hkm.ie th@hkm.ie 085 881 2169 Distribution Kamil Zok kamil@hkm.ie Trevor Hull th@hkm.ie 085 881 2169 Trevor Hull th@hkm.ie 085 881 2169 Trev 085 869 7078085 869 7078 Trevor Hullor Hull Lisa O’Brien lob@hkm.ie 087 355 0230 Lisa O’Brien lob@hkm.ie 087 355 0230 th@hkm.ie 085 881 2169 Trevor Hull th@hkm.ie 085-2524449 Trevor Hull th@hkm.ie 085-2524449 085-2524449085-2524449 Lisa O’Brien lob@hkm.ie 087 355 0230 Lisa O’Brien lob@hkm.ie 087 355 0230 Distribution evin Gibbons Web Editor Martina Murray mm@hkm.ie Literary Editor Gill Moore Oisín Murphy-H Distribution Distribution Kamil Zok kamil@hkm.ie Distribution Kamil Zok evin Gibbons kamil@hkm.ie Distribution Kamil Zok kamil@hkm.ie Literary Editor Gill Moore Oisín Murph -Hall kh@hkm.ie Literary EditorLiterary Editor kamil@hkm.ie Distribution evin Gibbons kamil@hkm.ie Distribution evin Gibbons kamil@hkm.ie Oisín Murph -H Fashion EditorFashion Editor Sales Executives Kevin Gibbons kg@hkm.ie 085 869 7078 Sales Executives Kevin Gibbons kg@hkm.ie 085 869 7078 Sales Executives Kevin Gibbons kg@hkm.ie 085 869 7078 Sales Executives Kevin Gibbons kg@hkm.ie 085 869 7078 Distribution Distribution all film@totfilm@totallydublin.ie Kamil Zok Megan O’Flynn mof@hkm.ie 087-6305788 Distribution Kamil Zok kamil@hkm.ie Sales Executives Kevin Gibbons kg@hkm.ie 085 869 7078 Sales Executives 085 869 7allydublin.ieSales ExecutivesSales Executives kamil@hkm.ie Sales Executives 085 869 7078Gill MooreGill Moore085 869 7078085 869 7078 Megan O’Flynn mof@hkm.ie 087-6305788 Sales Executives085 869 7078 Sales Executives Kevin Gibbons kg@hkm.ie 085 869 7078 Kamil Zokallydublin.ie kamil@hkm.ie print@totallydublin.ie kg@hkm.ie Sales Executives Kevin GibbonsKamil Zok Web Editor Martina Murray mm@hkm.ie Martina Murray Martina Murray mm@hkm.ie music@tot music@tot mm@hkm.ie Sales ExecutivesSales ExecutivesSales ExecutivesSales ExecutivesSales Ex ot Rachel Donnelly comArt Direction Lauren Kavanagh urenekavanagh@gmail. 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Nugent finds his new voice Cian Nugent finds his new voice FUNGI CLUB TOGETHER TROUBLEMAKER If you go down in the woods today... BIRDS OF A FEATHER AT PHOTOIRELAND FESTIVAL CLUB TOGETHER TROUBLEMAKER welcome to the world of welcome to the world of BIRDS OF A FEATHER AT PHOTOIRELAND FESTIVAL re-imagining our nights out re-imagining our nights out SOULÉ IS BRINGING IT BACK TO BALBRIGGAN SOULÉ IS BRINGING IT BACK TO BALBRIGGAN 73 Leeson Street Lower 73 Leeson Street Lower,,, Totally Dublin 73 Leeson Street Lower, Dublin 2 D02 X524 01 676 6686 73 Leeson Street Lower,, Dublin 273 Leeson Street Lower Totally Dublin 73 Leeson Street Lower, Dublin 2 D02 X524 01 676 6686 Editorial Director , Dublin 2 Dublin 2 Editorial Director D02 X524D02 X524 Dublin 2Peter Steen-Christensen TOTALLY DUBLIN D02 X524Peter Steen-Christensen D02 X524D02 X524D02 X524 Advertising Advertising Advertising Advertising Advertisingeb Editor Potally Dublin Tublisher andPublisher and7 ublisher andP3 Leeson Street Lower, S efPublisher and ower, Dublin 2allenius Editorial Dir ectorEditorial DirectorEditorial DirectorEditorial DirectorEditorial 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Editor een- eb Editor+44 75 989 73866ps@hkm.se eb Editor+44 75 989 73866Editor &32 Advertising Advertisingeb Editor S tefan Hallenius AdverI Dtublin 2allenius Ken Doherty shed light on their lives Ken Doherty shed light on their lives RECOGNITION Patricia Hurl and her son TOTALLY DUBLINMARKET CHANGES RECOGNITION FOR THOSE I LOVE AND DAMIEN DEMPSEY IN CONVERSATION FOR THE FIRST TIME MAKING IT HAPPEN Irish-Nigerian creatives #136#137 FOR THOSE I LOVE AND DAMIEN DEMPSEY IN CONVERSATION FOR THE FIRST TIME MAKING IT HAPPEN Irish-Nigerian creatives MARKET CHANGES Cover photo: Chairlift, photographed by Tim Barber Cover photo: Cian Nugent, photographed by Cáit Fahey SKY’S THE #152 #152 Hive City L gacy b y Malcolmy Aoife Herrity Co er: Osaro Azam by AoifThis page: Adetunji P ul Cover and this page: Sean Breithaupt iall S Acid Gr Acid Gr #153 Spin C anny Co er: Osar Cover photo and this page: Meltybrains?, shot by Patrick Dyar Colet e Sla er Barrass Hvolly GashE len Bajarias th Cis y K berrity 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sineadroisinor Film Editorallydublin.ie mm@hkm.ie Literary Editor John Patrick McHugh print@totallydublin.ie print@totallydublin.ie print@totallydublin.ie kh@hkm.ie Advertising ManagerAdvertising Manager Oisín Murph -Hall film@t Distribution @gmail.com kg@hkm.ie Distribution @gmail.com Kevin GibbonsKevin GibbonsKevin GibbonsKamil ZokecutivesSales Executive085 869 7078 Fashion Editor Sinéad O’Reilly sineadroisinoreilly@gmail.com Contributors Killian Broderick Thomas Cahill Emily Carson Paula Clarke Liza Cox Felipe Deakin Leo Devlin Ollie Dowling Patrick Dyar Jeanette Farrell Daniel Gray Gorjan Lauseger Tim MacGabhann Maryam Madani Luke Maxwell Aoife McElwain Martina Murray Julia O’Mahony Sinéad O’Reilly Cecilia Rangel Sarah Taaffe-Maguire Mònica Tomàs White Dean Van Nguyen David Wall What If Dublin Kenny Whittle Rachel DonnellyBobbi F eene T Elliotedderman T Elliotedderman Enda Burk Eoin Ga eene ve Hawkse or P ula ClarkD agh Deighan-Enda Burkee Cúán GrvinMark HillyBobbi FeeneKim 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No part of this publication may be reproduced in whole or part without the permission from Read morteftt totallydublin.ietotallydublin.ietotallydublin.ietotallydublin.ietotallydublin.ietotallydublin.ietotallydublin.ietotallydublin.ietotallydublin.ietotallydublin.ietotallydublin.ie Read more att Read more att All advertising enquiries contact 01 - 6870 695 Read more at totallydublin.ie All advertising enquiriesAll advertising enquiriesAll advertising enquiries All advertising enquiriesAll advertising enquiriesAll advertising enquiriesAll advertising enquiriesAll advertising enquiriesAll advertising enquiriesAll advertising enquiries All advertising enquiries ontact stefan@hkm.ietefan@hkm.ie contact 01 - 6870 695 ontact stefan@hkm.ie contact s tefan@hkm.ie ontact stefan@hkm.ie contact stefan@hkm.ie c ontact st an@hkm.ie All advertising enquiries contact stefan@hkm.ie Read more at totallydublin.ie All advertising enquiriesontact stef7an@hkm.ie contact 01 - 6870 695ontact 01 - 6870 695 ontact s efan@hkm.ie Read more aontact stefan@hkm.ie Mare O’Grilson Daivid T iurpinn Martina M Donal Sc ilson Duan v P Aa tina Murrd K y O’Grcady iephen Molonete Murraryurr DiuklMarl O annell S e Mh O’Re Shane O’ReillyShane O’Reillyy A vid Turphiurpin L ye WHa lde a Alic y Wannell Kaaah T O’adyian Vliet Conor Nolan-Sinead O’Reilly D vid W Sall - ce Wc en ien D vid T tevens Brian McMahon Martina Murr Mare McElwain Paul McLilson Ciaran O’Brienuatin Nangle L y O’Gradyn Kay O’Gr eilly Mary O’Shea ay La e Wt oone Luke Warde t Pádraig N urray K y O’Grady d K y O’Graadytyayn Am y Wkeden Jack O’Haigginsy Brian McMahon Lonny Wilson Brian McMahon R a tina M ldeAdam Wangle Brian McMahon Mare War Ciar vanalshain Martina M ensAmelia O’kMahon K ceaig Nolanermott L ce Wardean McDurph -H Luke Wickendeny Da e Wickendeny eanette F s What If DuseGorjan Laurph ar e McCarth Amy Laeevagh SodenMartina M a ana Michael McD Oory Ra tevens Michael McD K ay O’GradyEthan Hart Sanne Rareve Emily Quinn Martina M e Sean McMahon Tann e Lmtina Moway Conor Sanal Martina Meillyy S ann a Aoiftin N V iurrt Emily Quinn Conor Sardeeay Conor S de d Austin MaloneSe e Maryowe R g McCabeEdd NurrevensShane O’Rurray Clartina Meillyy Michael McD D an O’Brienuae McElwe Gillian Moor Luk áig Nde IMartina Mkurr Dtonal TalbotConor Syanens Aoify O’Shea ayMichael McDySean Moorurray uktina M V iurray Aadrládr Warit olan Jack O’H de lilsonarigginsl Sinead O’Reilly Shane O’Reilly T annvenevens Sarah T tn aSinead O’Reilly Brian McMahon Am áig Nolan Michael McDay Luky O’Connor Ethan HarRichary McL ook Martina Mvacha McElrDaett tAoif o S urran Lamontano Martina M aw Brian McMahon Brian McMahon Mey O’Grady KannL cha McElra am Madani Tonaaynseto Sttano Brian McMahon Donae MonahanSorvid Wall LBrian McMahon John P Rannta aine Tucke Feanett errityBernard O’Rourk Michael Lanigan Rory Kiberd Clara H tin Taion MahoneRory Kiberd gan Zara Hordan JMichael Lanigan JMichael Lanigan Kva HeddermanAndrew LamberAoife McElwDinghín Little Zar ew Lambert L áinne LRachel Donnellyt Finghín Littley Gron KellyoughrKillian Broderick t Michael Lanigan Reta HxAndrew Lambert Feanettd O’Roe J onesoe Jo e F Emil Hyce arrourk Brian McMahont Brian McMahon Brian McMahontBrian McMahont ac an Kilgannon Paul McHughSinead Furlongom Lyerron Tom LGrdanom Ledderman-orerrity ay BernaroAndrew LamberAnna-ordanom Lor Elle KelleherMarIEllen King urran Lamonurr Michael Lanigan T g McCabe y JBrian McMahon Padráig Nolan Michael Lanigan Soin T uren D e Marac ay t Finghín Little ay t Andrtive Beast Chris JyceRíon Honeseaew Lamberoe Jo annoraGary Cullenv Heativwkserce t Louise GlennonHouis He Farr Joephen CoaGerry Balfe Smith Finghín Little tt FKillian Barry Finghín Little Zare HZara H wkserce JRory Kiberd ell Eliza A. Keugh t Zara HannoryaGary CullenvvilleGerry GodleaGerry Godlexa im MacGabhann Hannah Clarkson E getedderman Crannah ClarksonEduardo H Gerry Balfe SmithKillian Brodericktouise Glennont Deirdre Foe Joy eRíon HonesAndrew Lamberoe Jo edderman Finghín Little tth Tim MacGabhannJ tephen LJtee Hy a o eir e F Dvaniel Gr w gan Veronika Jorjobert Giitonika Jorjober J a Hedderman Michael Lanigan O queline Landetephen CoRory Kiberd ell Elle Kelleher ain Elle Kelleher ainMichael McD ant Rerry MahonPeter Morganachel DonnellyMark Hill Aoife Herrity ySophia McDonaldSophia McDonaldSophia McDonald Ross McDonnelle Amqueline LandeDeclan Kelly Dom Lierneoin T ermino Andrew Lambera JSophia McDonald O s McDonnellrla Langton Ella Ber celanKillian Breoderickom Lyeddermano edderman Caoimhe K ucy Ann McCabe Michael McD JMichael McDermot Sharon Phelanoe J ew LamberKieran KilgannonAmy Lae en Zar tina Mtermot ucy Ann McCabe Ellen King Michael Lanigan IDiarmuid McGreal Diarmuid McGreal Maran Kilgannon Kiertina Mttermott K t an KilgannonMartina Murran Lamonurr Eilish McCormick Andrew LamberSarah LaniganDiarmuid McGrealBrian McMahontBrian McMahone O thew Kelly Oa tah LaniganAarthew Kelly Padráig Nolan Oom Lordan Michael McD Terry MahonKay O’Grady Tllie Dowlingermott Ellen King Kviarmuid McGrealMichael McDermot Pom Lorerminov Brian McMahon Aoife McElwainSophia McDonalde Diarmuid McGreal Martina MDaiarmuid McGreal N ew Lamberta JBrian McMahon Brian McMahon Martina Murray iall McCormack MònicIMalcolm McGett Diarmuid McGreal Aitana SilvurrayMichael McDermot Sor y Wilson Michael McDermot D gan Luddy Amy LaEtephanie N ambu Ltephanie N ambu IEthan Smtyth aySophia McDonalde Dv my o ovy Diarmuid McGreal Luk tina M looneAdam Walshe Puke W tevensceveensen Sinead O’Re Olisin Mopcic-H Alicey Wilson e Ktephen Molone D amy Wilson Alic y WilsonAmelia O’iSeamas O’Reilly Alice Wickendenevens Aliuky O’Connor Martina Mn ua n Alic Wick eillySinead O’RlK y O’Hevittyay all S ace W edenn Nanniy O’Graadyiurra Conor Nolan- ySeamas O’Reilly Shane O’Reillyyy Conor Stn as Oaa O’BriensGillian Moorian Vliet Dovid Wallalsh all isín Maaff ens all Daah TurpinRichard Seabrook K y O’a T aftConor Stady rooke Shamim de Brún Rich Gilligan onlen Bajarias t Eue Brawksyrne Sablo Marin Gar Felipe DeakinKillian BroderickKim CreddermanEric D vidson ve Haywks y Killian Broderickcia Zara HeddermanShar Dedderman Hvannah ClarksonJoe Bonnie coran Contributor Cáit F ullaghan Gregory Jakub Daulak Contributors Killian Broderick Thomas Cahill Daire Collins Jonathan Creasy Leo Devlin Ollie Dowling Mark Duggan Cáit Fahey Forget Eliza A. Kalfa Patrick Kelleher Gráinne Loughran Luke Maxwell Aoife McElwain Paul McHugh Martina Murray Bernard O’Rourke Eoin Tierney Mònica Tomàs White What If Dublin Danny Wilson Mark Conr Mark Conr People by Michal I CMAT shot b Moore Soderick ah Dwyleanooski Latherine B gan shot by Rver phot etoo: ail frColim Armstrong shot by R cery SarColim Armstrong Jess D trKillian Br eet, shot by Sean Breithaupt Killian BroderickKillian Broderick ah Doyle Jill Anderóisín Murph Clear of an Co er:ver and this page: y O’Sullivan This page: Dy Soulé shot by R er: Killian Broderickuth MedjbarAisling Arundel w Thomas Cahill sContributorennan Cover photo: Soulé shot by Ruth Medjbar Contributor Damien Dempse Both bgraphed b y and David Balfe, Both bgraphed by Maxi McDonnell. ContributorsContributory Maxi McDonnell. photo y Mark Hill This page and cover: Honeypot by Jasmine Doyle Cover photo: Corral by Thérèse Rafter This page: Detail from Clear of People by Michal Iwanowski Cover: Conor Nolan This page: Tara O’Brien This page: P te MThis page: Patricia H Jill Anderson Cover and this page: Cover and this page: This page: This page: This page and cover: Honeypot by Jasmine Doyle Cover photo: Chairlift, photographed by Tim Barber Cover photo: Cian Nugent, photographed by Cáit Fahey Cover: Conor Nolan This page: Tara O’Brien #153 This page and courl and Ken D erritye Hoherty McGettigan Cover photo and this page: Mark Mangan of Ukelele Tuesday, shot by Brendan Duffy SKY’S THE #149 Co er and this page:url Corral by Thérèse R Becca BoennanAbbie Br yce Both shot by Malcolm McGettigan Both shot by Malc after ver: Aisha Bolajiurror Totally Dublin, Co er and this page:ver: Aisha Bolaji or Totally Dublin, Cover photo and this page: Mark Mangan of Ukelele Tuesday, shot by Brendan Duffy Libraries b o:er phota aines fay Cover and this page: Ladies & Gentlemen, by Daragh Soden ver: Patricia H ver: ay Aoif aines f LIMIT LIMIT Contributors Ivor Alice #146 Ivor Aliceson Mandy Barke Tom Cahill Amy Fa Contributor Mark Conr ffxCailean CoffCailean Co trickCailean Co xtrickCailean Coo ey sContributortJSamie FitzpaChin Gr eeneCúán Greeneey Killian Brxoderick Maya BrxLiza CoyeaSean Breihaupt Ca can Finne Cathryn Bell Amy Fay Holly Gash Mike Bunnff Dlen Bajarias Oave D oherSean Breithaoyce oy Cissy Doderick ena evlin Rllie Dowling Roe Bonniean Haolly Gashe Eoin GavinCúán Gry Aisling Arundel Killian BroderickChin Gr eeneKillian BroderickCúán Greene Celestawkseo Devlin don Jasmin Deene Killian Broderick ukaham Coroe H eryrne P ula ClarkDaragh DeighanAndrew Lamberoe J ahee Hawks y ullaghan Mee He Bur yupt Mark Conro Mark Conroyor H e Joe Bur yupt Joegan D w tyth Lulu Briffor Celestyesmond Killian BroderickKillian BroderickCúán Gre dc Mark Conro Shamim de Brún Mark DugganBrian Hoeenet Rich Gilligan on Becca Boyoy Aisling Arundel Mandy Bark Cian Bolger Jess D trennan Ca can Finnete Brennan Killian Broderick T shot b ennan ver: Patricia Hurl and Ken D erritye Hoherty er: N y Stricia Hurl #149 GREEN EYED MONSTER EATEN photo y Mark HillContributorss olm McGettigan Contributor er: Niall St s Damien Dempsey and David Balfe, ContributorssContributors om #146 #165 #165 with Cover photo and this page: From the shoot on p38. Sky shot by Gery Balfe Smyth, styled by Sarah Flanagan Co er and this page: y O’Sulliv Abbie Br óisín Murph Cover photo and this page: From the shoot on p38. Sky shot by Gery Balfe Smyth, styled by Sarah Flanagan Holly Gashty D ve Dwksw Danielle Biwks FEMINIST FILM FESTIVAL STEVE GUNN DAY OF THE DEAD SYRIAS VIBES SYRIAS VIBES with DAY OF THE DEAD and DUBLIN GALLERY MAP! FEMINIST FILM FESTIVAL STEVE GUNN Aisling Arundel Contributor Deirdre S Moor unne ery Sar Tom Cahill Daeirdr anley Br s Hannah ClarksonKorte S anley Br s Paloma Britupt and DUBLIN GALLERY MAP! with ROE with ROE PRESIDENT K DUBLIN FLEA K te Sunne CMA e Breet, shot by Sean Breithaupt Contributor PRESIDENT K DUBLIN FLEA and DUBLIN OLD SCHOOL and DUBLIN OLD SCHOOL Sean BrteithayrneCian Bolger upt Cathryn BellyrnesContributors Sophie Brennan Paloma BritoSophie Br thnach Contributorennan Holly GashthnachKillian Broderick onathan Creasy Marcus CassidyMark Conroy annah Clarkson JS ephen Coey sAisling Arundels annah Clarkson Contributor edderman Cover and this page: Killian Broderick Killian BroderickSean BreithaCelest esmondColet e Sla er Barr J vannah ClarksonEoae Haceene Hvolly Gashwor s Ollie D wlingRhona B onaldsonCúan Gr yConor Creigh Aoif to Cunha (aka Natoman) ContributorrLulu Broderickth Hannah Clarkson Z sy D R re FallonddMark Gillerwor s Felipe Deakin th Gregory Eoe JoacEric D vidson tht Hannah ClarksonLortherine B gan Daire CollinsMaya Br ennanKillian BroderickLiza CoeaSean Breihao S oe H eroyMark Conruffyth Brendan DHolly GashOllie D wlingBrian HoeeneSophie Donaldson Cúán Gr Liza CoeddermanAndrew Lambert Eduardo HZara Hxeene Kerry MahonKerry Mahon ermott Rerry Mahony Cover and this page: Killian Broderick Mark Conr L Holly GashtContributortJamie Fitzpate Burdons ass Mar Jcus CassidyMark Conr don AND WHOZYERMAN? REFLECTIONS ON 200 ISSUES DUBLIN NOW AND NEXT IPUT’S LIVING CANVAS INQUE SUMMER SOUNDS SALLY ROONEY OTT WRESTLING REFLECTIONS ON 200 ISSUES DUBLIN NOW AND NEXT IPUT’S LIVING CANVAS INQUE and MARGARET CLARKE THE XX GREEN EYED MONSTER EATEN SUMMER SOUNDS SALLY ROONEY OTT WRESTLING with with ADIFF with and MARGARET CLARKE THE XX LITTLE HOUSES THUMPER NOT ANOTHER AGENCY and 48 HOURS IN LONDON AND GRAND STUFF ADIFF LITTLE HOUSES THUMPER MIRIAM FITZGE INTRIC MIRIAM FITZGE INTRIC MIRIAM FITZGE INTRIC MIRIAM FITZGE INTRIC NOT ANOTHER AGENCY AND WHOZYERMAN? and 48 HOURS IN LONDON AND GRAND STUFF #196 / OCTOBER 2021 / FREE / TOTALLYDUBLIN.IE ANAND YOUNG CRITICS #191 / DEC 2020-JAN 2021 / FREE / TOTALLYDUBLIN.IE LOOT AND RICHARD GORMAN Cover and this page: Ladies & Gentlemen, by Daragh Soden WHERE THE LEAVES FALL DESIGNING FOR DINING BASSAM AL-SABAH HAPPY OUT DUBLIN DANCE FESTIVAL SHIPS D and JESSE JONES RICERNA M DERNA and JESSE JONES NORTH CIRCULAR LAURIE SHAW CHUTNEY JINX LENNON DESIGN OPP Hive City L gacy b y Malcolmy Aoife Herrity Spin C annye, shot be, shot b This page and cover: Libraries by Ste Murray McGettigano Azam b This page: Adetunji Paul with MARIA KELLY NEXT EXIT #201 / APRIL 2022 / FREE / TOTALLYDUBLIN.IE AND IRISH GIFT GUIDE ycle, by Malcolm McGettigan ycle, by Malcolm McGettigan #200 / MARCH 2022 / FREE / TOTALLYDUBLIN.IE #201 / APRIL 2022 / FREE / TOTALLYDUBLIN.IE GIRLS DON’T CRY AILBHE REDDY HOMEBOUND AND SOЛOMIYA JINX LENNON AND SOЛOMIYA MARIA KELLY NEXT EXIT GIRLS DON’T CRY AILBHE REDDY HOMEBOUND FOOD TRUCKS IN AMITY JOURNAL DU THÉ AND DUBLIN 2020 AND RHA ANNUAL FOOD TRUCKS IN AMITY JOURNAL DU THÉ AND DUBLIN 2020 #200 / MARCH 2022 / FREE / TOTALLYDUBLIN.IE AND RHA ANNUAL AND BLUE MONDAY AT 40 AND MINDFUZZ HOUSING UNLOCKED WIGS HIBERNA MODERNA EZRA WILLIAMS CHUTNEY THE ROSE TATTOO STAR TREK NORTH CIRCULAR LAURIE SHAW AND MINDFUZZ DESIGN OPP MIRIAM FITZGER INTRIC MIRIAM FITZGE MIRIAM FITZGE INTRIC INTRIC MIRIAM FITZGE INTRIC MIRIAM FITZGE MIRIAM FITZGE INTRIC INTRIC THE ROSE TATTOO STAR TREK HIBHARD GORMAN EZRA WILLIAMS HOUSING UNLOCKED WIGS AND BLUE MONDAY AT 40 AND IRISH GIFT GUIDE WHERE THE LEAVES FALL DESIGNING FOR DINING BASSAM AL-SABAH HAPPY OUT AND I CAME FOR COUSCOUS LIBERTIES NEXTAND SOAK #213 / MAY 2023 / FREE / TOTALLYDUBLIN.IE 3 / RENIAMH BARRY #210 / JAN/FEB 2023 / FREE / TOTALLYDUBLIN.IE #209 / 2# 12 / MBER 2022 / FREE / TOTALLYDUBLIN.IE #213 / MAY 2023 / FREE / TOTALLYDUBLIN.IE IT’S FBRIC G DECE APRIL 2 ROBOCOBRA QUARTET NIGHT MOVES #210 / JAN/FEB 2023 / FREE / TOTALLYDUBLIN.IE #209 / 2 2 / APRR 202GIRL ABOUT TOWN # D1ECEMBEIL 2 IT’S FREEZING IN LA DISJECTA MEMBRA NIAMH BARRY SUB/PLOT THE BAND WHO FELL TO EARTH THE BAND WHO FELL TO EARTH THE BIG ROMANCE ANNA MIEKE 3 / A PROFOUND WASTE OF TIME MARGADH ANSD 99T PROBLEMS JULIA HOLTER AND I CAME FOR COUSCOU.S NIGHT MOVES AND 99 PROBLEMS LIBERTIES NEXTAND SOAK AND THE POLITICS OF PLACE GIRL ABOUT TOWNPLOT BRICKNASTY THE MENU #196 / OCTOBER 2021 / FREE / TOTALLYDUBLIN.IE AND RICHARD GORMAN #191 / DEC 2020-JAN 2021 / FREE / TOTALLYDUBLIN.IE AND CHARITY WALKS AND THE POLITICS OF PLACE LOOT DUBLIN DANCE FESTIVAL SHIPS AND CHARITY WALKS NEW HORIZON LIBERTY MARKET LEFT CULTURES with SOCIOTYPE YOUTH LORRAINE TUCK ØXN NEW HORIZON SUB/ BRICKNASTY THE MENU SOCIOTYPE YOUTH SOCIOTYPE YOUTH MIRIAM FITZGE MIRIAM FITZGE MIRIAM FITZGE MIRIAM FITZGE MIRIAM FITZGE INTRIC INTRIC INTRIC INTRIC MIRIAM FITZGE MIRIAM FITZGER MIRIAM FITZGE MIRIAM FITZGE MIRIAM FITZGER INTRIC INTRIC INTRIC KYLE SVEN OISIN MOD MC1R REEZIN IN LA A MEMBRA KYLE SVEN OISIN MOD MC1R A PROFOUND WASTE OF TIME MARGADH ROBOCOBRA QUARTET JULIA HOLTER KNASTY WHAT DUBLIN NEEDS KATIE KIM DEVIN LEE THE BIG ROMANCE ANNA MIEKE DI JEC HE MENU 2 / Fwith OE / T TALLYDUBLIN IE WHAT DUBLIN NEEDS KATIE KIM DEVIN LEE Michael Lanigan y t Michael Lanigan Aaron KielyRachel SenderKerry MahonySophia McDonald Terry MahonPadráig Nolanermott Ruth Medjberermott Malc a Tdansonaldulie Lander sellan Lamont Michael McDermott Michael Lanigan Louis H ugh ermott Aoife HesmondAnna esmond Andrew Lamber t Tave D dan ermott Aoife Herrity Eilish McCormick Andrew LamberSar on KielyRachel SenderFinghín LittleySophia McDonaldSophia McDonaldSophia McDonald Ruth Medjberermottt Sophia McD Kay O’Grady ermott K y O’Grady Diarmuid McGreal t Jake Ry McLynse ierney Mary d Seabr eheart Kay O’Grady ContributorsContributor t Cúán Gray w Kerry Mahonyermott Lisa CoceMax Hendricksonoe JoyAndr eddermanLisa CoceMax HendricksonAndrew LamberZara Hxoe JoZara HyeddermanAndrew Lambert os olm McGettigan Malcolm McGettigan JLulie Landerx ermott FJelipe DeakinSinead FurlongChris Jerron Michael McD Lucy Ann McCabe t Elle K edderman Andrew LamberAndrew LamberSharon PhelanAndr yceEmil Hcuren ermot Felipe Deakin ermott Mar ellehere Scullion Martina M e Scullionan Lamonurray Ma e Herrityllie D wling Diarmuid McGreal Tolina P dan ySophia McDonaldan Lamonturray tiganBrian McMahontigan Gorjan Laublinuruse Dom Lordanovy Kerry Mahon- y Austin MaloneDe e Maryurray aev y Wev D agh SodenRuth Medjbery O’SSophia McDonald e Mike McGr th-Bryan Deg McCabe ermotMichael McDth Sarah FlanaganSoin Tyan tle ermott Mar olm McGettigan orr y Thomase Morvory Ry tatin Ruth Medjberermott Disin Murph -H ugh John Patrick McHughBrian McMahonall John Pyande Conor Strick McHConor Surph Luke Maxwellermott T iarmuid McGreal Alice Wickendeny Br Oisin MopcicSenija T cadyn e allBrian McMahonn ann Wickurray Róisín M arr y O’Sullivan E ar e McCarDiarmuid McGreal Mike McGr th-Bryan Me am MadaniMary yan tle eheartt Richard Seabrook Yo e Maxwella Clar my o ovy Oeo Devlinyleoran LMark Gilleryle Zena KophAoif to Cunha (aka Natoman) P ue Broph oy SONS OF DONAGHMEDE Patricia Hurl and her sonSONS OF DONAGHMEDE Questioning TRANSITION INSIDE THE INSECT MIND OF CHAIRLIFT’S MOTH Questioning TRANSITION UKELEAR POWER INSIDE THE INSECT MIND OF CHAIRLIFT’S MOTH #136#137 #172 / JANUARY 2019 / FREE / TOTALLYDUBLIN.IE with with #206 / SEPTEMBER 2022 / FREE /E TOTALLYDUBLIRIN.IE #172 /MARK BRADYwith #203 / JUNE 2022 / FREE / TOTALLYDUBLIN.IE with #205 / AUGUST 2022 / FREE / TOTALLYDUBLIN.IE UHH YEAH DUDE #206 / SEPTEMBER 2022 / FREE / TOTALLYDUBLIN.IE #216 / AUGUST 2023 / FREE / TOTALLYDUBLIN.IE #204 / JULY 2022 / FREE / TOTALLYDUBLIN.IE BOSS FIGHT BOOKS #203 / JUNE 2022 / FREE / TOTALLYDUBLIN.IE #204 / JULY 2022 / FREE / TOTALLYDUBLIN.IE # 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